Quotes with conjunction

Inspirational quotes with conjunction.

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Not long ago, I advertised for perverse rules of grammar, along the lines of "Remember to never split an infinitive" and "The passive voice should never be used." The notion of making a mistake while laying down rules ("Thimk," "We Never Make Misteaks") is highly unoriginal, and it turns out that English teachers have been circulating lists of fumblerules for years. As owner of the world's largest collection, and with thanks to scores of readers, let me pass along a bunch of these never-say-neverisms:* Avoid run-on sentences they are hard to read. * Don't use no double negatives.* Use the semicolon properly, always use it where it is appropriate; and never where it isn't.* Reserve the apostrophe for it's proper use and omit it when its not needed.* Do not put statements in the negative form.* Verbs has to agree with their subjects.* No sentence fragments.* Proofread carefully to see if you any words out.* Avoid commas, that are not necessary.* If you reread your work, you will find on rereading that a great deal of repetition can be avoided by rereading and editing.* A writer must not shift your point of view.* Eschew dialect, irregardless.* And don't start a sentence with a conjunction.* Don't overuse exclamation marks!!!* Place pronouns as close as possible, especially in long sentences, as of 10 or more words, to their antecedents.* Writers should always hyphenate between syllables and avoid un-necessary hyph-ens.* Write all adverbial forms correct.* Don't use contractions in formal writing.* Writing carefully, dangling participles must be avoided.* It is incumbent on us to avoid archaisms.* If any word is improper at the end of a sentence, a linking verb is.* Steer clear of incorrect forms of verbs that have snuck in the language.* Take the bull by the hand and avoid mixed metaphors.* Avoid trendy locutions that sound flaky.* Never, ever use repetitive redundancies.* Everyone should be careful to use a singular pronoun with singular nouns in their writing.* If I've told you once, I've told you a thousand times, resist hyperbole.* Also, avoid awkward or affected alliteration.* Don't string too many prepositional phrases together unless you are walking through the valley of the shadow of death.* Always pick on the correct idiom.* "Avoid overuse of 'quotation "marks."'"* The adverb always follows the verb.* Last but not least, avoid cliches like the plague; seek viable alternatives.", November 4, 1979; later also published in book form)

Not long ago, I advertised for perverse rules of grammar, along the lines of "Remember to never split an infinitive" and "The passive voice should never be used." The notion of making a mistake while laying down rules ("Thimk," "We Never Make Misteaks") is highly unoriginal, and it turns out that English teachers have been circulating lists of fumblerules for years. As owner of the world's largest collection, and with thanks to scores of readers, let me pass along a bunch of these never-say-neverisms:* Avoid run-on sentences they are hard to read. * Don't use no double negatives.* Use the semicolon properly, always use it where it is appropriate; and never where it isn't.* Reserve the apostrophe for it's proper use and omit it when its not needed.* Do not put statements in the negative form.* Verbs has to agree with their subjects.* No sentence fragments.* Proofread carefully to see if you any words out.* Avoid commas, that are not necessary.* If you reread your work, you will find on rereading that a great deal of repetition can be avoided by rereading and editing.* A writer must not shift your point of view.* Eschew dialect, irregardless.* And don't start a sentence with a conjunction.* Don't overuse exclamation marks!!!* Place pronouns as close as possible, especially in long sentences, as of 10 or more words, to their antecedents.* Writers should always hyphenate between syllables and avoid un-necessary hyph-ens.* Write all adverbial forms correct.* Don't use contractions in formal writing.* Writing carefully, dangling participles must be avoided.* It is incumbent on us to avoid archaisms.* If any word is improper at the end of a sentence, a linking verb is.* Steer clear of incorrect forms of verbs that have snuck in the language.* Take the bull by the hand and avoid mixed metaphors.* Avoid trendy locutions that sound flaky.* Never, ever use repetitive redundancies.* Everyone should be careful to use a singular pronoun with singular nouns in their writing.* If I've told you once, I've told you a thousand times, resist hyperbole.* Also, avoid awkward or affected alliteration.* Don't string too many prepositional phrases together unless you are walking through the valley of the shadow of death.* Always pick on the correct idiom.* "Avoid overuse of 'quotation "marks."'"* The adverb always follows the verb.* Last but not least, avoid cliches like the plague; seek viable alternat

I WANT her though, to take the same from me.She touches me as if I were herself, her own.She has not realized yet, that fearful thing, thatI am the other,she thinks we are all of one piece.It is painfully untrue.I want her to touch me at last, ah, on the root andquick of my darknessand perish on me, as I have perished on her.Then, we shall be two and distinct, we shall haveeach our separate being.And that will be pure existence, real liberty.Till then, we are confused, a mixture, unresolved,unextricated one from the other.It is in pure, unutterable resolvedness, distinctionof being, that one is free,not in mixing, merging, not in similarity.When she has put her hand on my secret, darkestsources, the darkest outgoings,when it has struck home to her, like a death, "this is _him!_"she has no part in it, no part whatever,it is the terrible _other_,when she knows the fearful _other flesh_, ah, dark-ness unfathomable and fearful, contiguous and concrete,when she is slain against me, and lies in a heaplike one outside the house,when she passes away as I have passed awaybeing pressed up against the _other_,then I shall be glad, I shall not be confused with her,I shall be cleared, distinct, single as if burnished in silver,having no adherence, no adhesion anywhere,one clear, burnished, isolated being, unique,and she also, pure, isolated, complete,two of us, unutterably distinguished, and in unutterable conjunction.Then we shall be free, freer than angels, ah, perfect.VIIIAFTER that, there will only remain that all mendetach themselves and become unique,that we are all detached, moving in freedom morethan the angels,conditioned only by our own pure single being,having no laws but the laws of our own being.Every human being will then be like a flower, untrammelled.Every movement will be direct.Only to be will be such delight, we cover our faceswhen we think of itlest our faces betray us to some untimely fiend.Every man himself, and therefore, a surpassingsingleness of mankind.The blazing tiger will spring upon the deer, un-dimmed,the hen will nestle over her chickens,we shall love, we shall hate,but it will be like music, sheer utterance,issuing straight out of the unknown,the lightning and the rainbow appearing in usunbidden, unchecked,like ambassadors.We shall not look before and after.We shall _be_, _now_.We shall know in full.We, the mystic NOW.(From the poem the Manifesto)



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