Inspirational quotes with concrete.
So I am not a broken heart. I am not the weight I lost or miles or ran and I am not the way I slept on my doorstep under the bare sky in smell of tears and whiskey because my apartment was empty and if I were to be this empty I wanted something solid to sleep on. Like concrete. I am not this year and I am not your fault.I am muscles building cells, a little every day, because they broke that day,but bones are stronger once they heal and I am smiling to the bus driver and replacing my groceries once a week and I am not sitting for hours in the shower anymore. I am the way a life unfolds and bloom and seasons come and go and I am the way the spring always finds a way to turn even the coldest winter into a field of green and flowers and new life. I am not your fault.
Hollowness: that I understand. I'm starting to believe that there isn't anything you can do to fix it. That's what I've taken from the therapy sessions: the holes in your life are permanent. You have to grow around them, like tree roots around concrete; you mold yourself through the gaps
The thing is, you can’t always have the best of everything. Because for a life to be real, you need it all: good and bad, beach and concrete, the familiar and the unknown, big talkers and small towns.
HOW do you define a word without concrete meaning? To each his own, the saying goes, soWHYpush to attain an ideal state of being that no two random people will agree isWHERE you want to be? Faultless. Finished. Incomparable. People can never be these, and anyway,WHENdid creating a flawless facade become a more vital goal than learning to love the personWHOlives inside your skin? The outside belongs to others. Only you should decide for you -WHATis perfect.
There are moments in every relationship that define when two people start to fall in love.A first glanceA first smileA first kissA first fall…(I remove the Darth Vader house shoes from my satchel and look down at them.)You were wearing these during one of those moments.One of the moments I first started to fall in love with you.The way you gave me butterflies that morningHad absolutely nothing to do with anyone else,and everything to do with you.I was falling in love with you that morningbecause of you.(I take the next item out of the satchel. When I pull it out and look up, she brings her hands to her mouth in shock.)This ugly little gnomeWith his smug little grin…He's the reason I had an excuse to invite you into my house.Into my life.You took a lot of aggression out on him over those next few months.I would watch from my window as you would kick him over every time you walked by him.Poor little guy.You were so tenacious.That feisty, aggressive, strong-willed side of you….The side of you that refused to take crap from this concrete gnome?The side of you that refused to take crap from me?I fell in love with that side of youbecause of you.(I set the gnome down on the stage and grab the CD)This is your favorite CD‘Layken’s shit.’Although now I know you intended for shit to be possessive, rather than descriptive.The banjo started playing through the speakers of your carand I immediately recognized my favorite band.Then when I realized it was your favorite band, too?The fact that these same lyrics inspired both of us?I fell in love with that about you.That had absolutely nothing to do with anyone else.I fell in love with that about youbecause of you.(I take a slip of paper out of the satchel and hold it up. When I look at her, I see Eddie slide her a napkin. I can’t tell from up here, but that can only mean she’s crying.)This is a receipt I kept.Only because the item I purchased that night was on the verge of ridiculous.Chocolate milk on the rocks? Who orders that?You were different, and you didn’t care.You were being you.A piece of me fell in love with you at that moment,because of you.This? (I hold up another sheet of paper.)This I didn’t really like so much.It’s the poem you wrote about me.The one you titled 'mean?'I don’t think I ever told you…but you made a zero.And then I kept itto remind myself of all the things I never want to be to you.(I pull her shirt from my bag. When I hold it into the light, I sigh into the microphone.)This is that ugly shirt you wear.It doesn’t really have anything to do with why I fell in love with you.I just saw it at your house and thought I’d steal it.
Music is crucial. Beyond no way can I overstress this fact. Let's say you're southbound on the interstate, cruising alone in the middle lane, listening to AM radio. Up alongside comes a tractor trailer of logs or concrete pipe, a tie-down strap breaks, and the load dumps on top of your little sheetmetal ride. Crushed under a world of concrete, you're sandwiched like so much meat salad between layers of steel and glass. In that last, fast flutter of your eyelids, you looking down that long tunnel toward the bright God Light and your dead grandma walking up to hug you--do you want to be hearing another radio commercial for a mega, clearance, closeout, blow-out liquidation car-stereo sale?
He recognized with absolute certainty the empty fragility of even the noblest theorizings as compared with the definitive plenitude of the smallest fact grasped in its total, concrete reality.
Pragmatism asks its usual question. "Grant an idea or belief to be true," it says, "what concrete difference will its being true make in anyone's actual life? How will the truth be realized? What experiences will be different from those which would obtain if the belief were false? What, in short, is the truth's cash-value in experiential terms?
Love as a concrete foundation for an authentically functional civilization requires the around-the-clock labors of forgiveness. Without it, Love fails, Friendship fails, Intelligence fails, Humanity: fails.
On the Bigotry of Culture:: it presented us with culture, with thought as something justified in itself, that is, which requires no justification but is valid by it's own essence, whatever its concrete employment and content maybe. Human life was to put itself at the service of culture because only thus would it become charged with value. From which it would follow that human life, our pure existence was, in itself, a mean and worthless thing.
But spontaneity is not by any means a blind, disorderly urge, a mere power of caprice. A philosophy restricted to the alternatives of conventional language has no way of conceiving an intelligence which does not work according to plan, according to a one-at-a-time order of thought. Yet the concrete evidence of such an intelligence is right to hand in our own thoughtlessly ordered bodies. For the Tao does not 'know' how it produces the universe just as we do not 'know' how we construct our brains.
A farm regulated to production of raw commodities is not a farm at all. It is a temporary blip until the land is used up, the water polluted, the neighbors nauseated, and the air unbreathable. The farmhouse, the concrete, the machinery, and outbuildings become relics of a bygone vibrancy when another family farm moves to the city financial centers for relief.
These ideas can be made more concrete with a parable, which I borrow from John Fowles’s wonderful novel, The Magus.Conchis, the principle character in the novel, finds himself Mayor of his hometown in Greece when the Nazi occupation begins. One day, three Communistpartisans who recently killed some German soldiers are caught. The Nazi commandant gives Conchis, as Mayor, a choice — either Conchis will execute the three partisans himself to set an example of loyalty to the new regime, or the Nazis will execute every male in the town.Should Conchis act as a collaborator with the Nazis and take on himself thedirect guilt of killing three men? Or should he refuse and, by default, be responsible for the killing of over 300 men?I often use this moral riddle to determine the degree to which people are hypnotized by Ideology. The totally hypnotized, of course, have an answer at once; they know beyond doubt what is correct, because they have memorized the Rule Book. It doesn’t matter whose Rule Book they rely on — Ayn Rand’s or Joan Baez’s or the Pope’s or Lenin’s or Elephant Doody Comix — the hypnosis is indicated by lack of pause for thought, feeling and evaluation. The response is immediate because it is because mechanical. Those who are not totally hypnotized—those who have some awareness of concrete events of sensory space-time, outside their heads— find the problem terrible and terrifying and admit they don’t know any 'correct' answer.I don’t know the 'correct' answer either, and I doubt that there is one. Theuniverse may not contain 'right' and 'wrong' answers to everything just because Ideologists want to have 'right' and 'wrong' answers in all cases, anymore than it provides hot and cold running water before humans start tinkering with it. I feel sure that, for those awakened from hypnosis, every hour of every day presents choices that are just as puzzling (although fortunately not as monstrous) as this parable. That is why it appears a terrible burden to be aware of who you are, where you are, and what is going on around you, and why most people would prefer to retreat into Ideology, abstraction, myth and self-hypnosis.To come out of our heads, then, also means to come to our senses, literally—to live with awareness of the bottle of beer on the table and the bleeding body in the street. Without polemic intent, I think this involves waking from hypnosis in a very literal sense. Only one individual can do it at a time, and nobody else can do it for you. You have to do it all alone.
But what a feeling can come over a man just from seeing the things he believes in and hopes for symbolized in the concrete form of a man. In something that gives a focus to all the other things he knows to be real. Something that makes unseen things manifest and allows him to come to his hopes and dreams through his outer eye and through the touch and feel of his natural hand.
all his prayers of the past had been simple concrete requests: God, give me a bicycle, a knife with seven blades, a box of oil paints. Only how, how, could you say something so indefinite, so meaningless as this: God, let me be loved.
The whole function of the life of prayer is, then, to enlighten and strengthen our conscience so that it not only knows and perceives the outward, written precepts of the moral and divine laws, but above all lives God's law in concrete reality by perfect and continual union with His will.
What is less often noticed is that it is precisely the kind of moral instruction that parents are constantly trying to give their children — concrete, imaginative, teaching general principles from particular instances, and seeking all the time to bring the children to appreciate and share the parent's own attitudes and view of life… The all-embracing principles of conduct
Stored personal memories along with handed down collective memories of stories, legends, and history allows us to collate our interactions with a physical and social world and develop a personal code of survival. In essence, we all become self-styled sages, creating our own book of wisdom based upon our studied observations and practical knowledge gleaned from living and learning. What we quickly discover is that no textbook exist how to conduct our life, because the world has yet to produce a perfect person – an ideal observer – whom is capable of handing down a concrete exemplar of epistemic virtues. We each draw upon the guiding knowledge, theories, and advice available for us in order to explore the paradoxes, ironies, inconsistencies, and the absurdities encountered while living in a supernatural world. We mold our personal collection of information into a practical practicum how to live and die. Each day we define and redefine who we are, determine how we will react today, and chart our quest into an uncertain future.
She sniffled. "Does he know?""Not a clue," Law said. "There are concrete bricks less dense than my beloved.
Stacy smiled proudly and he filed the image of her sweet face in the section of his heart he shared with no one else ~ Brian, Song of the Snowman"Mom said if you put ears on your snowman, he’ll hear the music of the angels and sing songs to you.” ~ Stacy, Song of the SnowmanThe sweet promise of her embrace cured the loneliness in him. In her arms, he was whole. ~ Brian, Song of the Snowman He composed music, dreamed of the future, and kept the situations he couldn’t change at bay to the rhythm of his feet drumming on the concrete. Brian, Song of the SnowmanThis was as simple as his life got rhythm, rhyme, and fingertips on cool keys. ~ Brian, Song of the Snowman
God has permitted the great lie for a short time only. That time is now coming to an end. Believers in the lie! You have been raised on the milk of your concrete beliefs. Now it is time for you to be weaned to partake of the solid food of the new age, the "New World Order.
Never use abstract nouns when concrete ones will do. If you mean “More people died” don’t say “Mortality rose.
I want you to tell me about every person you’ve ever been in love with.Tell me why you loved them,then tell me why they loved you.Tell me about a day in your life you didn’t think you’d live through.Tell me what the word home means to youand tell me in a way that I’ll know your mother’s namejust by the way you describe your bedroomwhen you were eight.See, I want to know the first time you felt the weight of hate,and if that day still trembles beneath your bones.Do you prefer to play in puddles of rainor bounce in the bellies of snow?And if you were to build a snowman,would you rip two branches from a tree to build your snowman armsor would leave your snowman armlessfor the sake of being harmless to the tree?And if you would,would you notice how that tree weeps for youbecause your snowman has no arms to hug youevery time you kiss him on the cheek?Do you kiss your friends on the cheek?Do you sleep beside them when they’re sadeven if it makes your lover mad?Do you think that anger is a sincere emotionor just the timid motion of a fragile heart trying to beat away its pain?See, I wanna know what you think of your first name,and if you often lie awake at night and imagine your mother’s joywhen she spoke it for the very first time.I want you to tell me all the ways you’ve been unkind.Tell me all the ways you’ve been cruel.Tell me, knowing I often picture Gandhi at ten years oldbeating up little boys at school.If you were walking by a chemical plantwhere smokestacks were filling the sky with dark black cloudswould you holler “Poison! Poison! Poison!” really loudor would you whisper“That cloud looks like a fish,and that cloud looks like a fairy!”Do you believe that Mary was really a virgin?Do you believe that Moses really parted the sea?And if you don’t believe in miracles, tell me —how would you explain the miracle of my life to me?See, I wanna know if you believe in any godor if you believe in many godsor better yetwhat gods believe in you.And for all the times that you’ve knelt before the temple of yourself,have the prayers you asked come true?And if they didn’t, did you feel denied?And if you felt denied,denied by who?I wanna know what you see when you look in the mirroron a day you’re feeling good.I wanna know what you see when you look in the mirroron a day you’re feeling bad.I wanna know the first person who taught you your beautycould ever be reflected on a lousy piece of glass.If you ever reach enlightenmentwill you remember how to laugh?Have you ever been a song?Would you think less of meif I told you I’ve lived my entire life a little off-key?And I’m not nearly as smart as my poetryI just plagiarize the thoughts of the people around mewho have learned the wisdom of silence.Do you believe that concrete perpetuates violence?And if you do —I want you to tell me of a meadowwhere my skateboard will soar.See, I wanna know more than what you do for a living.I wanna know how much of your life you spend just giving,and if you love yourself enough to also receive sometimes.I wanna know if you bleed sometimesfrom other people’s wounds,and if you dream sometimesthat this life is just a balloon —that if you wanted to, you could pop,but you never would‘cause you’d never want it to stop.If a tree fell in the forestand you were the only one there to hear —if its fall to the ground didn’t make a sound,would you panic in fear that you didn’t exist,or would you bask in the bliss of your nothingness?And lastly, let me ask you this:If you and I went for a walkand the entire walk, we didn’t talk —do you think eventually, we’d… kiss?No, wait.That’s asking too much —after all,this is only our first date.
The StadiumHave you ever entered an empty stadium? Try it. Stand in the middle of the field and listen. There is nothing less empty than an empty stadium. There is nothing less mute than stands bereft of spectators.At Wembley, shouts from the 1966 World Cup, which England won, still resound, and if you listen very closely you can hear groans from 1953 when England fell to the Hungarians. Montevideo’s Centenario Stadium sighs with nostalgia for the glory days of Uruguayan soccer. Maracanã is still crying over Brazil’s 1950 World Cup defeat. At Bombonera in Buenos Aires, drums boom from half a century ago. From the depths of Azteca Stadium, you can hear the ceremonial chants of the ancient Mexican ball game. The concrete terraces of Camp Nou in Barcelona speak Catalan, and the stands of San Mamés in Bilbao talk in Basque. In Milan, the ghosts of Giuseppe Meazza scores goals that shake the stadium bearing his name. The final match of the 1974 World Cup, won by Germany, is played day after day and night after night at Munich’s Olympic Stadium. King Fahd Stadium in Saudi Arabia has marble and gold boxes and carpeted stands, but it has no memory or much of anything to say.
V.S. Pritchett's definition of a short story is 'something glimpsed from the corner of the eye, in passing.' Notice the 'glimpse' part of this. First the glimpse. Then the glimpse gives life, turned into something that illuminates the moment and may, if we're lucky -- that word again -- have even further ranging consequences and meaning. The short story writer's task is to invest the glimpse with all that is in his power. He'll bring his intelligence and literary skill to bear (his talent), his sense of proportion and sense of the fitness of things: of how things out there really are and how he sees those things -- like no one else sees them. And this is done through the use of clear and specific language, language used so as to bring to life the details that will light up the story for the reader. For the details to be concrete and convey meaning, the language must be accurate and precisely given. The words can be so precise they may even sound flat, but they can still carry; if used right they can hit all the notes.
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