Inspirational quotes with composition.
She fit her head under his chin, and he could feel her weight settle into him. He held her tight and words spilled out of him without prior composition. And this time he made no effort to clamp them off. He told her about the first time he had looked on the back of her neck as she sat in the church pew. Of the feeling that had never let go of him since. He talked to her of the great waste of years between then and now. A long time gone. And it was pointless, he said, to think how those years could have been put to better use, for he could hardly have put them to worse. There was no recovering them now. You could grieve endlessly for the loss of time and the damage done therein. For the dead, and for your own lost self. But what the wisdom of the ages says is that we do well not to grieve on and on. And those old ones knew a thing or two and had some truth to tell, Inman said, for you can grieve your heart out and in the end you are still where you are. All your grief hasn't changed a thing. What you have lost will not be returned to you. It will always be lost. You're left with only your scars to mark the void. All you can choose to do is go on or not. But if you go on, it's knowing you carry your scars with you. Nevertheless, over all those wasted years, he had held in his mind the wish to kiss her on the back of her neck, and now he had done it. There was a redemption of some kind, he believed, in such complete fulfillment of a desire so long deferred.
I don't accept the currently fashionable assertion that any view is automatically as worthy of respect as any equal and opposite view. My view is that the moon is made of rock. If someone says to me 'Well, you haven't been there, have you? You haven't seen it for yourself, so my view that it is made of Norwegian Beaver Cheese is equally valid' - then I can't even be bothered to argue. There is such a thing as the burden of proof, and in the case of god, as in the case of the composition of the moon, this has shifted radically. God used to be the best explanation we'd got, and we've now got vastly better ones. God is no longer an explanation of anything, but has instead become something that would itself need an insurmountable amount of explaining. So I don't think that being convinced that there is no god is as irrational or arrogant a point of view as belief that there is. I don't think the matter calls for even-handedness at all.
In the morning I bathe my intellect in the stupendous and cosmogonal philosophy of the Bhagvat Geeta, since whose composition years of the gods have elapsed, and in comparison with which our modern world and its literature seem puny and trivial; and I doubt if that philosophy is not to be referred to a previous state of existence, so remote is its sublimity from our conceptions. I lay down the book and go to my well for water, and lo! there I meet the servant of the Bramin, priest of Brahma and Vishnu and Indra, who still sits in his temple on the Ganges reading the Vedas, or dwells at the root of a tree with his crust and water jug. I meet his servant come to draw water for his master, and our buckets as it were grate together in the same well. The pure Walden water is mingled with the sacred water of the Ganges.
The time of a man's life is as a point; the substance of it ever flowing, the sense obscure; and the whole composition of the body tending to corruption. His soul is restless, fortune uncertain, and fame doubtful; to be brief, as a stream so are all things belonging to the body; as a dream, or as a smoke, so are all that belong unto the soul. Our life is a warfare, and a mere pilgrimage. Fame after life is no better than oblivion. What is it then that will adhere and follow? Only one thing, philosophy. And philosophy doth consist in this, for a man to preserve that spirit which is within him, from all manner of contumelies and injuries, and above all pains or pleasures; never to do anything either rashly, or feignedly, or hypocritically: only to depend from himself, and his own proper actions: all things that happen unto him to embrace contentendly, as coming from Him from whom he himself also came; and above all things, with all meekness and a calm cheerfulness, to expect death, as being nothing else but the resolution of those elements, of which every creature is composed. And if the elements themselves suffer nothing by their perpetual conversion of one into another, that dissolution, and alteration, which is so common unto all, why should it be feared by any? Is not this according to nature? But nothing that is according to nature can be evil.
A text is not a text unless it hides from the first comer, from the first glance, the law of its composition and the rules of its game. A text remains, moreover, forever imperceptible. Its laws and rules are not, however, harbored in the inaccessibility of a secret; it is simply that they can never be booked, in the present, into anything that could rigorously be called a perception.
When composing a verse let there not be a hair's breath separating your mind from what you write; composition of a poem must be done in an instant, like a woodcutter felling a huge tree or a swordsman leaping at a dangerous enemy.
A skillful literary artist has constructed a tale. If wise, he has not fashioned his thoughts to accommodate his incidents; but having conceived, with deliberate care, a certain unique or single effect to be wrought out, he then invents as may best aid him in establishing this preconceived effect. If his very initial sentence tend not to the outbringing of this effect, then he has failed in his first step. In the whole composition there should be no words written, of which the tendency, direct or indirect, is not to the one pre-established design. And by such means, with such care and skill, a picture is at length painted which leaves in the mind of him who contemplates it with a kindred art, a sense of the fullest satisfaction. The idea of the tale has been presented unblemished because undisturbed: and this is an end unattainable by the novel. Undue brevity is just as exceptionable here as in the poem; but undue length is yet more to be avoided.
poetrymelts my bones.enters my blood.and changesits composition.
Sometimes in composition class, when I have been confronted by someone who simply cannot get the first word written on paper, I give the following advice: Say your essay into a tape recorder and then write it down.
To get the right word in the right place is a rare achievement. To condense the diffused light of a page of thought into the luminous flash of a single sentence, is worthy to rank as a prize composition just by itself...Anybody can have ideas--the difficulty is to express them without squandering a quire of paper on an idea that ought to be reduced to one glittering paragraph.
Life continues even if no one has proven to us the shape and size of the Earth, even if no one has informed us about the composition of air and the depth of sky.We will not float in weightlessness simply because we have not read the lesson on gravity.
All unnatural control systems have a key element in their intricate composition – the fatality that they will naturally collapse.
When power is discovered, man always turns to it," Bateson wrote darkly. "The science of heredity will soon provide power on stupendous scale; and in some country, at some time not, perhaps, far distant, that power will be applied to control the composition of a nation. Whether the institution of such control will ultimately be good or bad for that nation, or humanity at large, is a separate question." He had preempted the century of the gene.
Perhaps the perusal of such works may, without injustice, be compared with the use of opiates, baneful, when habitually and constantly resorted to, but of most blessed power in those moments of pain and of langour, when the whole head is sore, and the whole heart sick. If those who rail indiscriminately at this species of composition, were to consider the quantity of actual pleasure it produces, and the much greater proportion of real sorrow and distress which it alleviates, their philanthropy ought to moderate their critical pride, or religious intolerance.
See what's inside a drop of water. The whole seed of the universe. Come, come. See what's inside a drop of blood. The composition of life. It's all there. Hate as well. We approach the mystery of life, but it's impossible to understand the mystery of hate. The kind of hate that causes people not only to kill, but to want to erase you from the census of births. I have to concentrate on that mystery. Read everything there is. It has to be in a drop of blood. It has to have its chemistry.
Our personal experiences and mental reasoning skills establish the range of our perception of reality. Our physical and mental abilities determine the outer perimeter regarding what we can experience and learn. Our inaugurating dreams are unlimited by physical reality and our genetic composition. There will always be an unbridgeable rift between countless combinations of human dreams and the infinity of reality, unless we accept what we are without wishing to be something else.
On growing peonies:The fact that a flower as gentle and delightful as the peony should be so exacting and dictate such harsh terms hits me with the force of a cold shower. It's just like my girlfriends when I was a teenager, it was always the loveliest and most yielding ones who ran everything...[and] According to the English gardening book, peonies are so fussy that you might as well not bother. You'd need to go back generations to discover the composition of the soil, you'd have to go right back to the Big Bang to find out how the elements are distributed in your garden.
There are times in life that we ascribe qualities or traits to other people that are inaccurate or fail to recognize other aspects of their being because we are emotionally invested in that person fulfilling a specific role in our life. When we claim that the other person changed it is not so much that they altered their core composition, but we now must admit to ourselves that our original perception of them was imprecise.
Every person writes his or her life story similar to how a musician composes music. Author Milan Kundera noted, ‘Without realizing it, the individual composes his life according to the laws of beauty even in times of great distress.’ Guided by their aesthetic sense of beauty, a person transforms the intentional and fortuitous events of their life into an expressive episodic motif, which artistic creation assumes a permanent place in the composition of his or her conscious mind.
Every day is an opportunity to stand in awe when witnessing the overpowering presence of nature, an apt time to pay reverence for the inestimable beauty of life. I must remain mindful to live in an ethical manner by paying attention to the threat of injustice towards other people and resist capitulating to the absurdity of being a finite body born into infinite space and time. I am part of the world, a spar in a sacred composition, a body of energy suspended in the cosmos. I seek to create a poetic personal testament to life. When I pivot and turn away from fixating upon the cruel artifices of my encysted orbit to face and outwardly embrace the cleansing swirl of heaven’s windmill, I feel gusting in the shank of my marrow the thump of onrushing primordial truths, the electric flush of those ineffable couplets of life that one may not utter.
Quotes By Transcendologist Kurt Kawohl 1941 - If the medieval practices and the medieval beliefs of Christianity, Judaism and Islam that are based on superstitions were eliminated, then we could start building a rational and logical belief system that is based on truth and an understanding of spirituality. This is the value of truthfulness and rationality.The goals of ALL religions are the same; a deserved, appropriate, just finale. God is the rational Purity that does not require servitude, ritualistic prayers or a forced slavery in order for the soul to be a part of that Purity for eternity. God is spiritual, the progressive and accumulative spiritual intelligence of all the righteous souls who have passed into the spiritual realm. God does not and never has meddled in the tangible universe. It is of no importance during our physical life whether God exists or not if one so chooses. Whether or not one believes in a spirit or God really makes no difference to God. Righteous living will determine the continuance and destiny of our spirit/soul. Abraham, Moses, Noah, Jesus, Muhammad, Buddha, Krishna, Bahá'u'lláh, Zoroaster, Ahmad, Nanak and many others of various faiths are believed to have achieved spiritual enlightenment by mastering the art of spiritual transcendence. Everything in the universe follows the universal laws which separate the physical and the spiritual existence. Energy is power, vigor, liveliness, intensity. It is a measurable quantity, without reference to its nature or source. Energy, or life is a fundamental attribute and function of the universe. Our bodies build up and harness a minute amount of spiritual energy that is transferred into the spiritual dimension upon our death. Then this spiritual energy is limitless because it lacks resistance and this energy can assimilate as a unity or be separate and individual. It is this spiritual energy that is God. It is a composition of the spiritual intellect of the universe, of every soul that has passed from the physical universe into the spiritual universe. It can create a spiritual existence of beauty that is beyond the imagination…my spirit has experienced it.
To consult the rules of composition before making a picture is a little like consulting the law of gravitation before going for a walk.
It is a mistake to think that the practice of my art has become easy to me. I assure you, dear friend, no one has given so much care to the study of composition as I. There is scarcely a famous master in music whose works I have not frequently and diligently studied.
These two developments throw light on what is perhaps the most fundamental difference between the Renaissance and all previous periods of art. We have repeatedly seen that there were these circumstances which could compel the artist to make a distinction between the "technical" proportions and the "objective;" the influence of organic movement, the influence of perspective foreshortening, and the regard for the visual impression of the beholder. These three factors of variation have one thing in common: they all presuppose the artistic recognition of subjectivity. Organic movement introduces into the calculus of artistic composition the subjective will and the subjective emotions of the thing represented; foreshortening the subjective visual experience of the artist; and those "eurhythmic" adjustments which alter that which is right in favor of what seems right, the subjective visual experience of a potential beholder. And it is the Renaissance which, for the first time, not only affirms but formally legitimizes and rationalizes these three forms of subjectivity.
An invisible, yet active current of mental energy, underscores any book as well as any other form of artistic creation. A creative burst of psychological energy ignites any creative project. The emotional energy that underlies the artistic work propels it forward endowing it with articulation, texture, rhythm, and movement. When the expressive energy of the artist flags, the work comes to a stopping point and it takes on its final composition.
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