Inspirational quotes with coloured.
I'll understand if you don't want me. But I will be heartbroken. You are all I ever dreamed of and hoped for. You are much, much more. Please know that I didn't think I was mean-minded. But I realize I am. I don't want you to put your arms around me and say it's all right, that you forgive me. I want you to be sure that you do, and my love for you will last as long as I live. I can see no lightness, no humour, no joke to make. I just hope that we will be able to go back to when we had laughter, and the world was coloured, not black and white and grey. I am so sorry for hurting you. I could inflict all kinds of pain on myself, but it would not take back any I gave to you. - David Power
By now you must have guessed: I come from another planet. But I will never say to you, Take me to your leaders. Even I - unused to your ways though I am - would never make that mistake. We ourselves have such beings among us, made of cogs, pieces of paper, small disks of shiny metal, scraps of coloured cloth. I do not need to encounter more of them.Instead I will say, Take me to your trees. Take me to your breakfasts, your sunsets, your bad dreams, your shoes, your nouns. Take me to your fingers; take me to your deaths.These are worth it. These are what I have come for.
Water everywhere, falling in thundering cataracts, singular drops, and draping sheets. Kellhus paused next to one of the shining braziers, peered beneath the bronze visage that loomed orange and scowling over his father, watched him lean back into absolute shadow.“You came to the world,” unseen lips said, “and you saw that Men were like children.”Lines of radiance danced across the intervening waters.“It is their nature to believe as their fathers believed,” the darkness continued. “To desire as they desired … Men are like wax poured into moulds: their souls are cast by their circumstances. Why are no Fanim children born to Inrithi parents? Why are no Inrithi children born to Fanim parents? Because these truths are made, cast by the particularities of circumstance. Rear an infant among Fanim and he will become Fanim. Rear him among Inrithi and he will become Inrithi …“Split him in two, and he would murder himself.”Without warning, the face re-emerged, water-garbled, white save the black sockets beneath his brow. The action seemed random, as though his father merely changed posture to relieve some vagrant ache, but it was not. Everything, Kellhus knew, had been premeditated. For all the changes wrought by thirty years in the Wilderness, his father remained Dûnyain …Which meant that Kellhus stood on conditioned ground.“But as obvious as this is,” the blurred face continued, “it escapes them. Because they cannot see what comes before them, they assume nothing comes before them. Nothing. They are numb to the hammers of circumstance, blind to their conditioning. What is branded into them, they think freely chosen.So they thoughtlessly cleave to their intuitions, and curse those who dare question. They make ignorance their foundation. They confuse their narrow conditioning for absolute truth.”He raised a cloth, pressed it into the pits of his eyes. When he withdrew it, two rose-coloured stains marked the pale fabric. The face slipped back into the impenetrable black.“And yet part of them fears. For even unbelievers share the depth of their conviction. Everywhere, all about them, they see examples of their own self-deception … ‘Me!’ everyone cries. ‘I am chosen!’ How could they not fear when they so resemble children stamping their feet in the dust? So they encircle themselves with yea-sayers, and look to the horizon for confirmation, for some higher sign that they are as central to the world as they are to themselves.”He waved his hand out, brought his palm to his bare breast. “And they pay with the coin of their devotion.
Spinoza formulated the profoundly important principle that *all determination is negation*. To determine a thing is to cut it off from some sphere of being and so to limit it. To define is to set boundaries. To say that a thing is green limits it by cutting it from the sphere of pink, blue, or other-coloured things. To say that it is good cuts it off from the sphere of evil. This limitation is the same as negation. To *affirm* that a thing is within certain limits is to *deny* that it is outside those limits. To say that it is green is to say that it is not pink. Affirmation involves negation. Whatever is said of a thing denies something else of it. All determination is negation.This principle is fundamental for Hegel also, but with him it takes rather the converse form that *all negation is determination*. Formal logicians will remind us that we cannot simply convert Spinoza's proposition. But it is sufficient to point out in reply that not only does affirmation involve negation; negation likewise involves affirmation. To say that a thing belongs to one class is to affirm that it belongs to some other class,—though we may not know what that class is. Positive and negative are correlatives which mutually involve each other. To posit is to negate: this is Spinoza's principle. To negate is to posit: this is Hegel's.When, therefore, we meet Hegel talking about "the portentous power of the negative," we have to consider that for him negation is the very process of creation. For the *positive* nature of an object consists in its determinations. The nature of a stone is to be white, heavy, hard, etc. And since all determinations are negations, it follows that the positive nature of a thing consists in its negations. Negation, therefore, is of the very essence of positive being. And for the world to come into being what is above all necessary is the force of negation, "the portentous power of the negative." The genus only becomes the species by means of the differentia, and the differentia is precisely that which carves out a particular class from the general class by excluding, i.e., negating, the other species. And the species again only becomes the individual in the same way, by negating other individuals. These thoughts are no causal reflections of Hegel. They underlie his entire system. We must get to understand that these three ideas, determination, limitation, and negation, all involve each other."—from_The Philosophy of Hegel_
Above his head at street level, he saw an angled aileron of a scarlet Porsche, its jaunty fin more or less at the upper edge of his window frame. A pair of very soft, clean glistening black shoes appeared, followed by impeccably creased matt charcoal pinstriped light woollen legs, followed by the beautifully cut lower hem of a jacket, its black vent revealing a scarlet silk lining, its open front revealing a flat muscular stomach under a finely-striped red and white shirt. Val’s legs followed, in powder-blue stockings and saxe-blue shoes, under the limp hem of a crêpey mustard-coloured dress, printed with blue moony flowers. The four feet advanced and retreated, retreated and advanced, the male feet insisting towards the basement stairs, the female feet resisting, parrying. Roland opened the door and went into the area, fired mostly by what always got him, pure curiosity as to what the top half looked like.
I'm not naive......I grew up in a white supremacist compound with a daddy who wanted to murder innocent people and blow up the government for funzies. They beat up and possibly killed anyone who didn't agree with their ideals, and married their daughters off to perverts to hide sex crimes. I am not one of those females who see the world through rose-coloured glasses, or if I do, the roses are blood-red and thorny as hell. - Tess
It's a very cheery thing to come into London by any of these lines which run high and allow you to look down upon the houses like this."I thought he was joking, for the view was sordid enough, but he soon explained himself."Look at those big, isolated clumps of buildings rising up above the slates, like brick islands in a lead-coloured sea.""The board-schools.""Light-houses, my boy! Beacons of the future! Capsules with hundreds of bright little seeds in each, out of which will spring the wiser, better England of the future.
But usually not. Usually she thinks of the path to his house, whether deer had eaten the tops of the fiddleheads, why they don't eat the peppermint saprophytes sprouting along the creek; or she visualizes the approach to the cabin, its large windows, the fuchsias in front of it where Anna's hummingbirds always hover with dirty green plumage and jeweled throats. Sometimes she thinks about her dream, the one in which her mother wakes up with no hands. The cabin smells of oil paint, but also of pine. The painter's touch is sexual and not sexual, as she herself is....When the memory of that time came to her, it was touched by strangeness because it formed no pattern with the other events in her life. It lay in her memory like one piece of broken tile, salmon-coloured or the deep green of wet leaves, beautiful in itself but unusable in the design she was making
Strange are the pictures of the future that mankind can thus draw with this brush of faith and these many-coloured pigments of the imagination! Strange, too, that no one of them tallies with another!
Ineluctable modality of the visible: at least that if no more, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, MAESTRODI COLOR CHE SANNO. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it it is a gate, if not a door. Shut your eyes and see.
And then I wondered if as soon as he came to like me he would sink into ordinariness, and if as soon as he came to love me I would find fault after fault, the way I did with Buddy Willard and the boys before him.... The last thing I wanted was infinite security and to be the place an arrow shoots from. I wanted change and excitement and to shoot off in all directions myself, like the coloured arrows from a Fourth of July rocket.
There is such dissociation between what the eyes see and what the mind envisions. The final thought is just a matter of interpretation, coloured by our experiences.
Our experience is coloured through and through by books and plays and the cinema, and it takes patience and skill to disentangle the things we have really learned from life for ourselves.
She felt something similar, but worse in a way, about hundreds and hundreds of books she’d read, novels, biographies, occasional books, about music and art—she could remember nothing about them at all, so that it seemed rather pointless even to say that she had read them; such claims were things people set great store by but she hardly supposed they recalled any more than she did. Sometimes a book persisted as a coloured shadow at the edge of sight, as vague and unrecapturable as something seen in the rain from a passing vehicle; looked at directly it vanished altogether. Sometimes there were atmospheres, even the rudiments of a scene; a man in an office looking over Regent’s Park, rain in the street outside—a little blurred etching of a situation she would never, could never, trace back to its source in a novel she had read some time, she thought, in the past thirty years.
May we always see life through love-coloured glasses.
Liberty medals...Are they trying to bribe me with coloured ribbons? I wouldn't kill a man for one of those things. Or go and be killed. Any shooting I do is to save my own life, and not for a ribbon and a hunk of bronze. [says Mäkelä]
I used to rush into strange dreams at night: dreams many-coloured, agitated, full of the ideal, the stirring, the stormy--dreams where, amidst unusual scenes, charged with adventure, with agitating risk and romantic chance, I still again and again met Mr. Rochester, always at some exciting crisis; and then the sense of being in his arms, hearing his voice, meeting his eye, touching his hand and cheek, loving him, being loved by him--the hope of passing a lifetime at his side, would be renewed, with all its first force and fire. Then I awoke. Then I recalled where I was, and how situated. Then I rose up on my curtainless bed, trembling and quivering; and then the still, dark night witnessed the convulsion of despair, and heard the burst of passion.
In the jumbled, fragmented memories I carry from my childhood there are probably nearly as many dreams as images from waking life. I thought of one which might have been my earliest remembered nightmare. I was probably about four years old - I don't think I'd started school yet - when I woke up screaming. The image I retained of the dream, the thing which had frightened me so, was an ugly, clown-like doll made of soft red and cream-coloured rubber. When you squeezed it, bulbous eyes popped out on stalks and the mouth opened in a gaping scream. As I recall it now, it was disturbingly ugly, not really an appropriate toy for a very young child, but it had been mine when I was younger, at least until I'd bitten its nose off, at which point it had been taken away from me. At the time when I had the dream I hadn't seen it for a year or more - I don't think I consciously remembered it until its sudden looming appearance in a dream had frightened me awake.When I told my mother about the dream, she was puzzled.'But what's scary about that? You were never scared of that doll.'I shook my head, meaning that the doll I'd owned - and barely remembered - had never scared me. 'But it was very scary,' I said, meaning that the reappearance of it in my dream had been terrifying.My mother looked at me, baffled. 'But it's not scary,' she said gently. I'm sure she was trying to make me feel better, and thought this reasonable statement would help. She was absolutely amazed when it had the opposite result, and I burst into tears.Of course she had no idea why, and of course I couldn't explain. Now I think - and of course I could be wrong - that what upset me was that I'd just realized that my mother and I were separate people. We didn't share the same dreams or nightmares. I was alone in the universe, like everybody else. In some confused way, that was what the doll had been telling me. Once it had loved me enough to let me eat its nose; now it would make me wake up screaming. ("My Death")
They were small, brightly coloured, happy little creatures who secreted some of the nastiest toxins in the world, which is why the job of looking after the large vivarium where they happily passed their days was given to first-year students, on the basis that if they got things wrong there wouldn't be too much education wasted.
The clown knows that life is cruel. The ancient jester's motley coloured costume turned his usually melancholy expression in to a joke. The clown is used to loss. Loss is his prologue.
Do you like singing?" Miriam asked her."If it is good," she said.Paul, of course, coloured."You mean if it is high-class and trained?" he said."I think a voice needs training before the singing is anything," she said."You might as well insist on having people's voices trained before you allowed them to talk," he replied. "Really, people sing for their own pleasure, as a rule.""And it may be for other people's discomfort.
A breeze blew through the room, blew curtains in at one end and out the other like pale flags, twisting them up towards the frosted wedding-cake of the ceiling, and then rippled over the wine-coloured rug, making a shadow on it as wind does on the sea.
I was examining the perfumed, coloured candles guaranteed to bring good fortune with continued use when a lovely mocha-skinned girl came in from the back room and stood behind the counter. She wore a white smock over her dress and looked about nineteen or twenty. Her wavy, shoulder-length hair was the colour of polished mahogany. A number of thin, silver hoops jingled on her fine-boned wrist. "May I help you?" she asked. Just beneath her carefully modulated diction lingered the melodic calypso lilt of the Caribbean.
Her honey-coloured hair fell in heavy wavesbelow her shoulders and as she stared up at him her eyes, clear, speckled amber, seemed to tilt at the corners; her brows were black and swept up in arcs, and she had thick black lashesh. There was about her a kind of warm luxuriance, something immediately suggestive to the men of pleasurable fulfillment- something for which she was not responsible but of which she was acutely conscious.
But its exclusive character and irreconcileable hostility to the religious cults and ceremonies with which the whole social life of the city-state and the empire were inseparably connected at every turn, brought the Christians into inevitable conflict with the government and with public opinion. To the man in the street, the Christian was an anti-social atheist who would take no part in the public feasts and the games, which played such a large part in city life. To the authorities he was a passive rebel, who would neither take his share of municipal offices nor pay loyal homage to the Emperor. Hence the rise of persecution, and the driving of the Christians into an underground existence, as a proscribed sect. The Church grew under the shadow of the executioner's rods and axes, and every Christian lived in the peril of physical torture and death. The thought of martyrdom coloured the whole outlook of early Christianity. But it was not only a fear, it was also an ideal and a hope. For the martyr was the complete Christian, he was the champion and hero of the new society and its conflict with the old, and even the Christians who failed in the moment of the trial - the lapsi - looked on the martyrs as their saviours and protectors
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