Inspirational quotes with coils.
Did you eat my Twinkies?"She gulped. Keeping her eyes glued to the whip, she said, "Exactly what Twinkies are we talking about?""The Twinkies in the cupboard over the sink. The only Twinkies in the trailer." His fingers convulsed around the coils of leather.Oh, Lord, she thought. Flayed to death for a Twinkle."Well?""It, uh — it won't happen again, I promise you. But they didn't have any special marking on them, so there was no way I could tell they were yours." Her eyes remained riveted on the whip. "And normally I wouldn't have eaten them— I never eat junk food-—but I was hungry last night, and, well, when you think about it, you'll have to admit I did you a favor because they're clogging my arteries now instead of yours."His voice was quiet. Too quiet. In her mind she heard the howl of a rampaging Cossack baying at a Russian moon. "Don't touch my Twinkies. Ever. If you want Twinkies, buy your own.
A baby is God's opinion that life should go on. A book that does nothing to you is dead. A baby, whether it does anything to you, represents life. If a bad fire should break out in this house and I had my choice of saving the library or the babies, I would save what is alive. Never will a time come when the most marvelous recent invention is as marvelous as a newborn baby. The finest of our precision watches, the most super-colossal of our supercargo plants, don't compare with a newborn baby in the number and ingenuity of coils and springs, in the flow and change of chemical solutions, in timing devices and interrelated parts that are irreplaceable. A baby is very modern. Yet it is also the oldest of the ancients. A baby doesn't know he is a hoary and venerable antique — but he is. Before man learned how to make an alphabet, how to make a wheel, how to make a fire, he knew how to make a baby — with the great help of woman, and his God and Maker.
I must be besotted,” he said evenly. “I have the imbecilic idea that you’re the prettiest girl I’ve ever seen. Except for your coiffure,” he added, with a disgusted glance at the coils and plumes and pearls. “That is ghastly.”She scowled. “Your romantic effusions leave me breathless.
The elasticity of our dreams can take us to unspoken worlds, but our innate horror of the unknown is what weighs us down. Fight it.Travel to the isolated coils of smoldering dust trapped in our dusky sky or explore the unseen timeless vibration of dancing particles that fashions existence. Whatever choice you make can change your life forever. The same applies to a story. Words are the atoms of a tale, and together they compose a universe.
When the woman you live with is an artist, every day is a surprise. Clare has turned the second bedroom into a wonder cabinet, full of small sculptures and drawings pinned up on every inch of wall space. There are coils of wire and rolls of paper tucked into shelves and drawers. The sculptures remind me of kites, or model airplanes. I say this to Clare one evening, standing in the doorway of her studio in my suit and tie, home from work, about to begin making dinner, and she throws one at me; it flies surprisingly well, and soon we are standing at opposite ends of the hall, tossing tiny sculptures at each other, testing their aerodynamics. The next day I come home to find that Clare has created a flock of paper and wire birds, which are hanging from the ceiling in the living room. A week later our bedroom windows are full of abstract blue translucent shapes that the sun throws across the room onto the walls, making a sky for the bird shapes Clare has painted there. It's beautiful. The next evening I'm standing in the doorway of Clare's studio, watching her finish drawing a thicket of black lines around a little red bird. Suddenly I see Clare, in her small room, closed in by all her stuff, and I realize that she's trying to say something, and I know what I have to do.
THE LILIESThis morning it was, on the pavement, When that smell hit me again And set the houses reeling. People passed like rain: (The way rain moves and advances over the hills) And it was hot, hot and dank, The smell like animals, strong, but sweet too. What was it? Something I had forgotten. I tried to remember, standing there, Sniffing the air on the pavement. Somehow I thought of flowers. Flowers! That bad smell! I looked: down lanes, past houses--There, behind a hoarding, A rubbish-heap, soft and wet and rotten. Then I remembered: After the rain, on the farm, The vlei that was dry and paler than a stone Suddenly turned wet and green and warm. The green was a clash of music. Dry Africa became a swamp And swamp-birds with long beaks Went humming and flashing over the reeds And cicadas shrilling like a train. I took off my clothes and waded into the water. Under my feet first grass, then mud, Then all squelch and water to my waist. A faint iridescence of decay, The heat swimming over the creeks Where the lilies grew that I wanted: Great lilies, white, with pink streaks That stood to their necks in the water. Armfuls I gathered, working there all day. With the green scum closing round my waist, The little frogs about my legs, And jelly-trails of frog-spawn round the stems. Once I saw a snake, drowsing on a stone, Letting his coils trail into the water. I expect he was glad of rain too After nine moinths of being dry as bark. I don't know why I picked those lilies, Piling them on the grass in heaps, For after an hour they blackened, stank. When I left at dark, Red and sore and stupid from the heat, Happy as if I'd built a town, All over the grass were rank Soft, decaying heaps of lilies And the flies over them like black flies on meat...
Cold has its own taste. It tastes of a bitten tongue. It coils around you, a living thing, a beast that means to kill you, not with wrath, not with tooth nor claw, but with the mercy of surrender, with the kindness of letting you go gentle into the long night after such a burden of pain and misery.
I think of that, too: her mind. Her brain, all those coils, and her thoughts shuttling through those coils like fast, frantic centipedes. Like a child, I picture opening her skull, unspooling her brain and sifting through it, trying to catch and pin down her thoughts. What are you thinking, Amy?The question I've asked most often during our marriage, if not out loud, if not to the person who could answer. I suppose these questions stormcloud over every marriage:What are you thinking? How are you feeling? Who are you? What have we done to each other? What will we do?
Every human body has its optimum weight and contour, which only health and efficiency can establish. Whenever we treat women’s bodies as aesthetic objects without function we deform them and their owners. Whether the curves imposed are the ebullient arabesques of the tit-queen or the attenuated coils of art nouveau, they are deformations of the dynamic, individual body, and limitations of the possibilities of being female.
I used to give X-ray vision a lot of thought because I couldn’t see how it could work. I mean, if you could see through people’s clothing, then surely you would also see through their skin and right into their bodies. You would see blood vessels, pulsing organs, food being digested and pushed through coils of bowel, and much else of a gross and undesirable nature. Even if you could somehow confine your X-rays to rosy epidermis, any body you gazed at wouldn’t be in an appealing natural state, but would be compressed and distorted by unseen foundation garments. The breasts, for one thing, would be oddly constrained and hefted, basketed within an unseen bra, rather than relaxed and nicely jiggly. It wouldn’t be satisfactory at all—or at least not nearly satisfactory enough. Which is why it was necessary to perfect ThunderVision™, a laserlike gaze that allowed me to strip away undergarments without damaging skin or outer clothing. That ThunderVision, stepped up a grade and focused more intensely, could also be used as a powerful weapon to vaporize irritating people was a pleasing but entirely incidental benefit.
She appeared to be near seventeen years of age, but looked like a vision from the Greek tragedies. With plaited coils of dark luscious hair, lips like the petals of a rose, and large, deep eyes that contained all the delight of her passion. She was the loveliest girl I have ever seen in all my life. Then she spoke. I have never heard such a voice before. It seemed she was instantly Juliet. From deep tones to flute-like music like the lark, she spoke and sang her parts with an excitement that stirred the whole audience. She concluded to thunderous applause and I could barely contain my own appreciation.
I think of that, too: her mind. Her brain, all those coils, and her thoughts shuttling through those coils like fast, frantic centipedes. Like a child, I picture opening her skull, unspooling her brain and sifting through it, trying to catch and pin down her thoughts. What are you thinking, Amy?
He smiles at her before ever opening his eyes. The innocence in his face ensnares. Wraps her heart in a cocoon.They did this to him. The Society. Constructed that smile with malicious expectations. Now she must rip it off his face. Because she doesn’t deserve his love. Or Gage’s. This madness coils around her throat, darkening every inch of her soul.
How must it have felt, Pikes, the night they seized your films, like entrails yanked from the camera, out of your guts, clutching them in coils and wads to stuff them up a stove to burn away! Did it feel as bad as having some fifty thousand books annihilated with no recompense? Yes. Yes. Stendahl felt his hands grow cold with the senseless anger.
For the first time I understood the dogma of eternal pain -- appreciated "the glad tidings of great joy." For the first time my imagination grasped the height and depth of the Christian horror. Then I said: "It is a lie, and I hate your religion. If it is true, I hate your God."From that day I have had no fear, no doubt. For me, on that day, the flames of hell were quenched. From that day I have passionately hated every orthodox creed. That Sermon did some good.In the Old Testament, they said. God is the judge -- but in the New, Christ is the merciful. As a matter of fact, the New Testament is infinitely worse than the Old. In the Old there is no threat of eternal pain. Jehovah had no eternal prison -- no everlasting fire. His hatred ended at the grave. His revenge was satisfied when his enemy was dead.In the New Testament, death is not the end, but the beginning of punishment that has no end. In the New Testament the malice of God is infinite and the hunger of his revenge eternal.The orthodox God, when clothed in human flesh, told his disciples not to resist evil, to love their enemies, and when smitten on one cheek to turn the other, and yet we are told that this same God, with the same loving lips, uttered these heartless, these fiendish words; "Depart ye cursed into everlasting fire, prepared for the devil and his angels."These are the words of "eternal love."No human being has imagination enough to conceive of this infinite horror.All that the human race has suffered in war and want, in pestilence and famine, in fire and flood, -- all the pangs and pains of every disease and every death -- all this is as nothing compared with the agonies to be endured by one lost soul.This is the consolation of the Christian religion. This is the justice of God -- the mercy of Christ.This frightful dogma, this infinite lie, made me the implacable enemy of Christianity. The truth is that this belief in eternal pain has been the real persecutor. It founded the Inquisition, forged the chains, and furnished the fagots. It has darkened the lives of many millions. It made the cradle as terrible as the coffin. It enslaved nations and shed the blood of countless thousands. It sacrificed the wisest, the bravest and the best. It subverted the idea of justice, drove mercy from the heart, changed men to fiends and banished reason from the brain.Like a venomous serpent it crawls and coils and hisses in every orthodox creed.It makes man an eternal victim and God an eternal fiend. It is the one infinite horror. Every church in which it is taught is a public curse. Every preacher who teaches it is an enemy of mankind. Below this Christian dogma, savagery cannot go. It is the infinite of malice, hatred, and revenge.Nothing could add to the horror of hell, except the presence of its creator, God.While I have life, as long as I draw breath, I shall deny with all my strength, and hate with every drop of my blood, this infinite lie.
His agony somehow became an invisible hand, stretching out through the Force, a hand that found her, far away, alone in her apartment in the dark, a hand that felt the silken softness of her skin and the sleek coils of her hair, a hand that dissolved into a field of pure energy, of pure feeling that reached inside her—And now he felt her, really felt her in the Force, as though she could have been some kind of Jedi, too, but more than that: he felt a bond, a connection, deeper and more intimate than he’d ever had before with anyone, even Obi-Wan; for a precious eternal instant he was her … he was the beat of her heart and he was the motion of her lips and he was her soft words as though she spoke a prayer to the stars—
Rider made this sound in the back of his throat. It was deep and masculine, part groan and growl, and it made me shiver. He folded one hand along my cheek and lowered his head to mine, but he didn’t kiss me.No.His warm breath glided over my forehead as his hand slid across my cheek, his fingers spreading into my hair at the base. His other hand landed low on my back, and the weight did insane things to my insides. He drew it up my back, leaving a trail of fire in its wake. My eyes fluttered shut as his lips brushed over the curve of my cheek. It was the craziest torture. My entire body tensed, prepared for the moment when his lips met mine.And it was the sweetest pressure, a feather-light brush of his lips over mine. Once. Then twice. I felt the touch everywhere, a jolt to the system that zipped through my veins, and then the pressure increased.Rider kissed me then.It was a real one, soft and beautiful, and when the kiss deepened, it wasn’t a shy one. He knew what he was doing, and even though I didn’t, an innate knowledge told me it didn’t matter. His lips mapped out mine, and my insides were in tight coils.Kissing was awesome. Amazing. Astonishing. I could probably think of a couple of more words to describe it. Kissing blew me away, and when he lifted his mouth, both of us were breathing hard. He rested his forehead against mine. Neither of us spoke for several moments.I still wasn’t thinking. I had no idea how my hands had gotten to Rider’s chest, but his heart pounded under my palm as fast as mine did. My mind was blissfully blank as I breathed in his scent, a mix of his citrusy cologne and the faint trace of paint.“Did you like that?” he asked, dragging his fingers out of my hair and over the line of my jaw.Screaming yes, oh, God, yes, would’ve probably been a little too excessive, so I managed a somewhat subdued, “Yes.”As Rider grinned, his lips brushed mine. “Good. Because I really liked it.
Our lips now conjoin like the glittery coils of a wet snake dancing in the amazon. Kissing Nadia sends me into a savoring affair for that which is most delectable, always tasting the delicate layers that exist in her myriad of emotion. Always, Nadia’s opulent lips gratify and subdue by easing my sensitivity as she drags her fingers down my stomach like a tree scattering its roots. I now brush my lips over Nadia’s, dipping into her mouth like a brush that falls into a bucket of paint, osculating under this euphoric form of affection.
Lulled into complacency, one of the brigands' hands loosened on his arm, and Warren had his chance. Breaking free, he grabbed a handful of Red's braids and tangled his fingers in the silky plaited coils. She cried out, flailing her arms, but he dragged her against him as he fell backward, pulling her down on top of him. The warriors' retaliation was prompt...
From the darkness we become stars, we behold the misery and mystery from the worlds we possess and build up fire from the glow and coils of our black souls, the Sun.
She always paid attention to fingers rather than faces because they told so much more. People remembered to guard their faces. They forgot their hands. Her own were small, though strong and supple from all the hours of piano playing, but what use was that now? For the first time she understood what real danger does to the human mind, as flat white fear froze the coils of her brain.
One may picture, too, the sudden shifting of the attention, the swiftly spreading coils and bellyings of that blackness advancing headlong, towering heavenward, turning the twilight to a palpable darkness, a strange and horrible antagonist of vapour striding upon its victims, men and horses near it seen dimly, running, shrieking, falling headlong, shouts of dismay, the guns suddenly abandoned, men choking and writhing on the ground, and the swift broadening-out of the opaque cone of smoke. And then night and extinction – nothing but a silent mass of impenetrable vapour hiding its dead.
The sea is full of saints. You know that? You know that: you're a big boy. The sea's full of saints and it's been full of saints for years. Since longer than anything. Saints were there before there were even gods. They were waiting for them, and they're still there now.Saints eat fish and shellfish. Some of them catch jellyfish and some of them eat rubbish. Some saints eat anything they can find. They hide under rocks; they turn themselves inside out: they spit up spirals. There's nothing saints don't do. Make this shape with your hands. Like that. Move your fingers. There, you made a saint. Look out, here come another one! Now they're fighting! Yours won.There aren't any big corkscrew saints anymore, but there are still ones like sacks and ones like coils, and ones like robes with flapping sleeves. What's your favourite saint? I'll tell you mine. But wait a minute, first, do you know what it is makes them all saints? They're all a holy family, they're all cousins. Of each other, and of ... you know what else they're cousins of?That's right. Of gods.Alright now. Who was it made you? You know what to say.Who made you?
I don't know how to describe the sound of a world crashing. Maybe there is no sound, just a great emptiness, an enveloping sorrow, a creeping nothingness that coils itself around you like a stiff wire.
Snake's LullabyBrother, sister, flick your tongueand taste the flakes of autumn sun.Use these last few hours of goldto travel, travel toward the cold.Before your coils grow stiff and dull,your heartbeat slows to winter's lull,seek the sink of sheltered stonesthat safely cradle sleeping bones.Brother, sister, find the waysback to the deep and tranquil bays,and 'round each other twist and foldto weave a heavy cloak of cold.
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