Inspirational quotes with chisel.
Love stories are written in millimeters and milliseconds with a fast, dull pencil whose marks you can barely see, they are written in miles and eons with a chisel on the side of a mountiantop
In the case of Michel Angelo we have an artist who with brush and chisel portrayed literally thousands of human forms; but with this peculiarity, that while scores and scores of his male figures are obviously suffused and inspired by a romantic sentiment, there is hardly one of his female figures that is so,—the latter being mostly representative of woman in her part as mother, or sufferer, or prophetess or poetess, or in old age, or in any aspect of strength or tenderness, except that which associates itself especially with romantic love. Yet the cleanliness and dignity of Michel Angelo's male figures are incontestable, and bear striking witness to that nobility of the sentiment in him, which we have already seen illustrated in his sonnets.
Happy the writer who, passing by characters that are boring, disgusting, shocking in their mournful reality, approaches characters that manifest the lofty dignity of man, who from the great pool of daily whirling images has chosen only the rare exceptions, who has never once betrayed the exalted turning of his lyre, nor descended from his height to his poor, insignificant brethren, and, without touching the ground, has given the whole of himself to his elevated images so far removed from it. Twice enviable is his beautiful lot: he is among them as in his own family; and meanwhile his fame spreads loud and far. With entrancing smoke he has clouded people's eyes; he has flattered them wondrously, concealing what is mournful in life, showing them a beautiful man. Everything rushes after him, applauding, and flies off following his triumphal chariot. Great world poet they name him, soaring high above all other geniuses in the world, as the eagle soars above the other high fliers. At the mere mention of his name, young ardent hearts are filled with trembling, responsive tears shine in all eyes...No one equals him in power--he is God! But such is not the lot, and other is the destiny of the writer who has dared to call forth all that is before our eyes every moment and which our indifferent eyes do not see--all the stupendous mire of trivia in which our life in entangled, the whole depth of cold, fragmented, everyday characters that swarm over our often bitter and boring earthly path, and with the firm strength of his implacable chisel dares to present them roundly and vividly before the eyes of all people! It is not for him to win people's applause, not for him to behold the grateful tears and unanimous rapture of the souls he has stirred; no sixteen-year-old girl will come flying to meet him with her head in a whirl and heroic enthusiasm; it is not for him to forget himself in the sweet enchantment of sounds he himself has evoked; it is not for him, finally, to escape contemporary judgment, hypocritically callous contemporary judgment, which will call insignificant and mean the creations he has fostered, will allot him a contemptible corner in the ranks of writers who insult mankind, will ascribe to him the quality of the heroes he has portrayed, will deny him heart, and soul, and the divine flame of talent. For contemporary judgment does not recognize that equally wondrous are the glasses that observe the sun and those that look at the movement of inconspicuous insect; for contemporary judgment does not recognize that much depth of soul is needed to light up the picture drawn from contemptible life and elevate it into a pearl of creation; for contemporary judgment does not recognize that lofty ecstatic laughter is worthy to stand beside the lofty lyrical impulse, and that a whole abyss separates it from the antics of the street-fair clown! This contemporary judgment does not recognize; and will turn it all into a reproach and abuse of the unrecognized writer; with no sharing, no response, no sympathy, like a familyless wayfarer, he will be left alone in the middle of the road. Grim is his path, and bitterly he will feel his solitude.
I am, apparently, of that rare breed that likes to write. The demands of a chapter pull me from bed in the morning, and regardless of how well I think I know the day's road ahead, there are always surprises. But the pleasures that come from writing about the American past, of discovering what I hope no one has seen before, are of course balanced by rough, often tedious stretches. Writing does not come easily for me; I work slowly, much like a sculptor with a chisel, only words rather than stone or wood are my medium. But when at the end of the day I have a page or two that seem right, I pull away from the desk certain that all is right in the world, regardless of what the evening news might tell me later.
Writing is like sculpturing words out of a block of imagination. Sentences chisel the story, then characters make it their own.
There is always the risk: something is good and good and good and good, and then all at once it gets awkward. All at once, she sees you looking at her, and then she doesn't want to joke around with you anymore, because she doesn't want to seem flirty, because she doesn't want you to think she likes you. It’s such a disaster, whenever, in the course of human relationships, someone begins to chisel away at the wall of separation between friendship and kissing. Breaking down that wall is the kind of story that might have a happy middle— oh, look, we broke down this wall, I’m going to look at you like a girl and you’re going to look at me like a boy and we’re going to play a fun game called Can I Put My Hand There What About There What About There. And sometimes that happy middle looks so great that you can convince yourself that it’s not the middle but will last forever.
The sculpture is already complete within the marble block, before I start my work. It is already there, I just have to chisel away the superfluous material.
Jack was too absorbed in his work to hear the bell. He was mesmerized by the challenge of making soft, round shapes of hard rock. The stone had a will of its own, and if he tried to make it do something it did not want to do, it would fight him, and his chisel would slip, or dig in too deeply, spoiling the shapes. But once he had got to know the lump of rock in front of him he could transform it. The more difficult the task, the more fascinated he was. He was beginning to feel that the decorative carving demanded by Tom was too easy. Zigzags, lozenges, dogtooth, spirals and plain roll moldings bored him, and even these leaves were rather stiff and repetitive. He wanted to curve natural-looking foliage, pliable and irregular, and copy the different shapes of real leaves, oak and ash and birch.
Does the work get easier once you know what you are doing?""Your lungs grow thick with stone dust and your eyes bleary from the sun and fragments thrown up by the chisel. You pour your lifeblood out into works of stone for Romans who will take your money in taxes to feed soldiers who will nail your people to crosses for wanting to be free. Your back breaks, your bones creak, your wife screeches at you, and your children torment you with open begging mouths, like greedy baby birds in the nest. You go to bed every night so tired and beaten that you pray to the Lord to send the angel of death to take you in your sleep so you don't have to face another morning. It also has its downside.
I can't believe how hard it is. The pain is indescribable. It's like I've been turned into sandstone and my insides are being slowly hollowed out by a chisel and mallet.
Had Kurt Cobain not committed suicide in 1994, would his genius have survived the continuous incisions of a media that was only too proud of its ability to chisel away at his fragile psyche in the years before he decided that he'd had enough off their invasions? And, had Jimi Hendrix not passed way in 1970, would he, too have eventually fallen into decline, first equalled, then eclipsed by the brilliant wave of new guitarists: Robin Trower, Ritchie Blackmore, Mick Ronson, who emerged during the early 1970s? In death, Hendrix led by example: in life he could have been left for the dead.
The Duke of Dunstable had one-way pockets. He would walk ten miles in the snow to chisel an orphan out of tuppence.
Wisdom is a sharp chisel to carve out your future.
Children are like clay in the hands of teachers. Like a sculptor we can chisel and carve their personalities with our behavior.
She did not arrive at Annandale without taking the chisel to herself more than once, without rubbing up against a few boys to smooth an edge or two.
With poetry and writing, the question isn’t “do you know the right words?”.The real question is, “can you make words from the unwordable, chisel blocks of raw silence into shapes and touch our souls?
You are the sculptor of your success. Chisel and carve yourself into excellence.
You are the sculptor of your success. Chisel yourself into excellence.
Love and kindness are the hammer and chisel that gently chip through barriers and long-held beliefs to reveal the magnificent soul contained within every human.
The mind is the chisel, matter is the stone and life is the sculpture. Make sure you use your chisel wisely
Someday," Joseph said to his granddaughter, "someday something will happen and you will want to go back to the carving. You won't be able to prevent yourself; that's just the way it is. The world always somehow takes us back to the chisel. Something happens and we have to respond.
God uses chronic pain and weakness, along with other afflictions, as his chisel for sculpting our lives. Felt weakness deepens dependence on Christ for strength each day. The weaker we feel, the harder we lean. And the harder we lean, the stronger we grow spiritually, even while our bodies waste away. To live with your ‘thorn’ uncomplainingly — that is, sweet, patient, and free in heart to love and help others, even though every day you feel weak — is true sanctification. It is true healing for the spirit. It is a supreme victory of grace.
It is not so much what people suffer that makes the world mysterious; it is rather how much they miss when they suffer. They seem to forget that even as children they made obstacles in their games in order to have something to overcome. Why, then, when they grow into man’s estate, should there not be prizes won by effort and struggle? Cannot the spirit of man rise with adversity as the bird rises against the resistance of the wind? Do not the game fish swim upstream? Must not the chisel cut away the marble to bring out the form? Must not the seed falling to the ground die before it can spring forth into life? Must not grapes be crushed that there may be wine to drink, and wheat ground that there may be bread to eat? Why then cannot pain be made redemption? Why under the alchemy of Divine Love cannot crosses be turned into crucifixes? Why cannot chastisements be regarded as penances? Why cannot we use a cross to become God-like? We cannot become like Him in His Power; we cannot become like Him in His Knowledge. There is only one way we can become like Him, and that is in the way He bore His sorrows and His Cross. And that way was with love. It is love that makes pain bearable.
Casting my eyes on Mr. Wemmick as we went along, to see what he was like in the light of day, I found him to be a dry man, rather short in stature, with a square wooden face, whose expression seemed to have been imperfectly chipped out with a dull-edged chisel. There were some marks in it that might have been dimples, if the material had been softer and the instrument finer, but which, as it was, were only dints. The chisel had made three or four of these attempts at embellishment over his nose, but had given them up without an effort to smooth them off.
Rare and powerful harmonies exist,Shaping both scent and contour in a flower.Thus brilliance lies unseen by us until,Beneath the chisel, it blazes in the diamond.And thus do images of fleeting vision,Drifting above like cloud-forms in the sky,Once turned to stone live on from age to age,Held always in a faultless, polished phrase.("A Sonnet To Form")
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