Inspirational quotes with carol.
Our opportunities to give of ourselves are indeed limitless, but they are also perishable. There are hearts to gladden. There are kind words to say. There are gifts to be given. There are deeds to be done. There are souls to be saved.As we remember that “when ye are in the service of your fellow beings ye are only in the service of your God,” (Mosiah 2:17) we will not find ourselves in the unenviable position of Jacob Marley’s ghost, who spoke to Ebenezer Scrooge in Charles Dickens’s immortal "Christmas Carol." Marley spoke sadly of opportunities lost. Said he: 'Not to know that any Christian spirit working kindly in its little sphere, whatever it may be, will find its mortal life too short for its vast means of usefulness. Not to know that no space of regret can make amends for one life’s opportunity misused! Yet such was I! Oh! such was I!'Marley added: 'Why did I walk through crowds of fellow-beings with my eyes turned down, and never raise them to that blessed Star which led the Wise Men to a poor abode? Were there no poor homes to which its light would have conducted me!'Fortunately, as we know, Ebenezer Scrooge changed his life for the better. I love his line, 'I am not the man I was.'Why is Dickens’ "Christmas Carol" so popular? Why is it ever new? I personally feel it is inspired of God. It brings out the best within human nature. It gives hope. It motivates change. We can turn from the paths which would lead us down and, with a song in our hearts, follow a star and walk toward the light. We can quicken our step, bolster our courage, and bask in the sunlight of truth. We can hear more clearly the laughter of little children. We can dry the tear of the weeping. We can comfort the dying by sharing the promise of eternal life. If we lift one weary hand which hangs down, if we bring peace to one struggling soul, if we give as did the Master, we can—by showing the way—become a guiding star for some lost mariner.
I don’t ask writers about their work habits. I really don’t care. Joyce Carol Oates says somewhere that when writers ask each other what time they start working and when they finish and how much time they take for lunch, they’re actually trying to find out, "Is he as crazy as I am?" I don’t need that question answered.
He chose The Metamorphosis over The Trial, he chose Bartleby over Moby-Dick, he chose A Simple Heart over Bouvard and Pecuchet, and A Christmas Carol over A Tale of Two Cities or The Pickwick Papers. What a sad paradox, thought Amalfitano. Now even bookish pharmacists are afraid to take on the great, imperfect, torrential works, books that blaze paths into the unknown. They choose the perfect exercises of the great masters. Or what amounts to the same thing: they want to watch the great masters spar, but they have no interest in real combat, when the great masters struggle against that something, that something that terrifies us all, that something that cows us and spurs us on, amid blood and mortal wounds and stench.
Finally, Carol said in a tone of hopelessness, "Darling, can I ask you to forgive me?" The tone hurt Therese more than the question. "I love you, Carol." "But do you see what it means?
To love a person is to learn the song that is in their heart, and to sing it to them when they have forgotten- the secrets of married women by Carol Mason
I’m the sexiest of them all! - Carol
Doesn’t he look just like a ring wraith?” she said thoughtfully. “Are you kidding?” replied Cathy, “I most certainly won't be carol singing at your door this Christmas if you've got one of those ugly things hanging on it!” “No, from Lord of the Rings,” said Sue impatiently. “I'm sorry,” snorted Cathy, “I don't watch pornographic material." “Have you never read a book?!” Sue snapped. “It's about a small man who travels through dangerous lands to drop a ring into a volcano, it's a classic.” “Does sound like a small man,” she replied, “can't even face his marriage problems full on.
During the 1992 election I concluded as early as my first visit to New Hampshire that Bill Clinton was hateful in his behavior to women, pathological as a liar, and deeply suspect when it came to money in politics. I have never had to take any of that back, whereas if you look up what most of my profession was then writing about the beefy, unscrupulous 'New Democrat,' you will be astonished at the quantity of sheer saccharine and drool. Anyway, I kept on about it even after most Republicans had consulted the opinion polls and decided it was a losing proposition, and if you look up the transcript of the eventual Senate trial of the president—only the second impeachment hearing in American history—you will see that the last order of business is a request (voted down) by the Senate majority leader to call Carol and me as witnesses. So I can dare to say that at least I saw it through.
Why is the half of humanity with a special sensitivity to the preciousness of life, the half untainted by testosterone poisoning, almost wholly unrepresented in defense establishments and peace negotiations worldwide? [blurb on Daniella Gioseffi's _Women on War_; quoted in Carol Lynn Pearson's _The Ghost of Eternal Polygamy_]
After Carol had left, as Symons threw away a pile of used tissues and rearranged the cushions on the couch, he remarked that the most common and unhelpful illusion plaguing those who came to see him [as a career counselor] was the idea that they ought somehow, in the normal course of events, to have intuited--long before they had finished their degrees, started families, bought houses and risen to the top of law firms--what they should properly be doing with their lives. They were tormented by a residual notion of having through some error or stupidity on their part missed out on their true 'calling.
Carol was like a secret spreading through her.
I came trusting them. They beat me with rods of dullness. They don't know, they don't understand how agonizing their complacent dullness is. Like ants and August sun on a wound." - Carol Kennicott
She had seen just now what she had only sensed before, that the whole world was ready to be their enemy, and suddenly what she and Carol had together seemed no longer love or anything happy but a monster between them, with each of them caught in a fist.
How can I possibly stop loving you when it's sort of predestined? — Malcom Lowry to Carol Brown, 1926 (age 16)
You’re here!” She repeated, wrapping her arms around his neck and her legsaround his hips. He’d dropped his bags as she’d ran, and now he cupped her bottom in his large hands...His heart gave a giant thump, all the way down from his chest to his stomach,and as she smiled up at him he lowered his head and devoured her mouth,smile and all. Her lips were just as warm, and just as soft as he remembered, and her mouth tasted like peaches and cinnamon and Corinne Carol-Anne and without thought he pushed her back against the hallway wall and kissed her and kissed her and kissed her as though all their time apart would disappear in that frantic mating of tongue and lips and teeth. He wanted to take her into himself, all of her, and keep her warm and safe and happy, just like this moment when sheburst with joy, just to see him.--Wounded(Green and Cory, after being apart)
Like many others who have gone into prisons and jails with us, Chuck and Carol Middlekauff demonstrate what our ministry is all about. We train Christian ‘teammates’ to share the good news and love of Christ with ‘the least of these’ so they can continue to do it with others they encounter as they go along. In this book, Carol has written the stories of some of those encounters so you can appreciate how easy it is to tell people about Jesus. It happens when you realize God does all the work, and all you have to do is show up. I hope you will be encouraged by reading the book and then join us soon for a Weekend of Champions to find out for yourself.”Bill Glass, retired NFL all-pro defensive end, evangelist, founder of Bill Glass Champions for Life prison ministries, and author of numerous books, including The Healing Power of a Father’s Blessing and Blitzed by Blessings
That autumn, I kept coming back to Hopper’s images, drawn to them as if they were blueprints and I was a prisoner; as if they contained some vital clue about my state. Though I went with my eyes over dozens of rooms, I always returned to the same place: to the New York diner of Nighthawks, a painting that Joyce Carol Oates once described as “our most poignant, ceaselessly replicated romantic image of American loneliness”...Green shadows were falling in spikes and diamonds on the sidewalk. There is no colour in existence that so powerfully communicates urban alienation, the atomisation of human beings inside the edifices they create, as this noxious pallid green, which only came into being with the advent of electricity, and which is inextricably associated with the nocturnal city, the city of glass towers, of empty illuminated offices and neon signs.
Poor black families were “immersed in a domestic web of a large number of kin and friends whom they [could] count on,” wrote the anthropologist Carol Stack in All Our Kin. Those entwined in such a web swapped goods and services on a daily basis. This did little to lift families out of poverty, but it was enough to keep them afloat. But large-scale social transformations—the crack epidemic, the rise of the black middle class, and the prison boom among them—had frayed the family safety net in poor communities. So had state policies like Aid to Families with Dependent Children that sought to limit “kin dependence” by giving mothers who lived alone or with unrelated roommates a larger stipend than those who lived with relatives.
Thanks, but no thanks. I need my makeup honey. - Carol
I’ve been thinking that you, me and Kristy should all have a sleepover or something like that. Wouldn‘t that be so cool! - Carol
You’re forgetting… we never get in trouble in that class. Remember I gave Mr. Hendry that lap dance last year. I’m thinking he’s expecting one this year as well. - Carol
See?” my mother would say, smiling at me and my sister, Carol, in turn. “We live in the greatest country on earth. See how lucky we are?”And yet the ash continued swirling down, and the smells of death came through the windows, crept under the door, hung in our carpets and curtains, and screamed of her lie.Is it possible to tell the truth in a society of lies? Or must you always, of necessity, become a liar?And if you lie to a liar, is the sin somehow negated or reversed?These are the kinds of questions I ask myself now: in these dark, watery hours, when night and day are interchangeable. No. Not true.
I think about the story of Job I heard in Carol Sharp's Sunday school. How he sort of learned to lean into feeling hurt at the end, the way you might lean into a heavy wind that almost winds up supporting you after a while.
So in the sweltering heat of a July night, I sang a Christmas carol to a room full of fae, who had been driven out of their homelands by Christians and their cold-iron swords.
Thus Carol hit upon the tragedy of old age, which is not that it is less vigorous than youth, but that it is not needed by youth...
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