Inspirational quotes with brows.
My wife with the hair of a wood fireWith the thoughts of heat lightningWith the waist of an hourglassWith the waist of an otter in the teeth of a tigerMy wife with the lips of a cockade and of a bunch of stars of the last magnitudeWith the teeth of tracks of white mice on the white earthWith the tongue of rubbed amber and glassMy wife with the tongue of a stabbed hostWith the tongue of a doll that opens and closes its eyesWith the tongue of an unbelievable stoneMy wife with the eyelashes of strokes of a child's writingWith brows of the edge of a swallow's nestMy wife with the brow of slates of a hothouse roofAnd of steam on the panesMy wife with shoulders of champagneAnd of a fountain with dolphin-heads beneath the iceMy wife with wrists of matchesMy wife with fingers of luck and ace of heartsWith fingers of mown hayMy wife with armpits of marten and of beechnutAnd of Midsummer NightOf privet and of an angelfish nestWith arms of seafoam and of riverlocksAnd of a mingling of the wheat and the millMy wife with legs of flaresWith the movements of clockwork and despairMy wife with calves of eldertree pithMy wife with feet of initialsWith feet of rings of keys and Java sparrows drinkingMy wife with a neck of unpearled barleyMy wife with a throat of the valley of goldOf a tryst in the very bed of the torrentWith breasts of nightMy wife with breasts of a marine molehillMy wife with breasts of the ruby's crucibleWith breasts of the rose's spectre beneath the dewMy wife with the belly of an unfolding of the fan of daysWith the belly of a gigantic clawMy wife with the back of a bird fleeing verticallyWith a back of quicksilverWith a back of lightWith a nape of rolled stone and wet chalkAnd of the drop of a glass where one has just been drinkingMy wife with hips of a skiffWith hips of a chandelier and of arrow-feathersAnd of shafts of white peacock plumesOf an insensible pendulumMy wife with buttocks of sandstone and asbestosMy wife with buttocks of swans' backsMy wife with buttocks of springWith the sex of an irisMy wife with the sex of a mining-placer and of a platypusMy wife with a sex of seaweed and ancient sweetmeatMy wife with a sex of mirrorMy wife with eyes full of tearsWith eyes of purple panoply and of a magnetic needleMy wife with savanna eyesMy wife with eyes of water to he drunk in prisonMy wife with eyes of wood always under the axeMy wife with eyes of water-level of level of air earth and fire
Naw, Jem. I think that there is just one kind of folks. Folks."Jen turned and punched his pillow. WHen he settle back his face was cloudy. He was going in to one of his declines, and I grew wary. His brows came together; his mouth became a thin line. He was silent for a while. That is what I thought, too," he said at last, "when I was your age. If there is just one kind of folks, why can't they get along with each other? If they're all alike, why do they go ut of their way to despise each other? Scout, I think I am beginning to understand something. I think I'm beginning to understand why Boo Radley stayed shut up in the house all this time...it's because he wants to stay inside
Am I right in suggesting that ordinary life is a mean between these extremes, that the noble man devotes his material wealth to lofty ends, the advancement of science, or art, or some such true ideal; and that the base man does the opposite by concentrating all his abilities on the amassing of wealth?'Exactly; that is the real distinction between the artist and the bourgeois, or, if you prefer it, between the gentleman and the cad. Money, and the things money can buy, have no value, for there is no question of creation, but only of exchange. Houses, lands, gold, jewels, even existing works of art, may be tossed about from one hand to another; they are so, constantly. But neither you nor I can write a sonnet; and what we have, our appreciation of art, we did not buy. We inherited the germ of it, and we developed it by the sweat of our brows. The possession of money helped us, but only by giving us time and opportunity and the means of travel. Anyhow, the principle is clear; one must sacrifice the lower to the higher, and, as the Greeks did with their oxen, one must fatten and bedeck the lower, so that it may be the worthier offering.
Am I your dom, little rabbit?”“Yes.” Her red-brown brows drew together. “What’s wrong?”“Not a thing.” He gave her a faint smile, and his gravelly voice deepened. “I thought I’d tell you we’re getting married next month.”~Nolan and Beth~
Lord Randall barreled inside, brandishing his cane in Drew's face."You beggarly knave, I was told this marriage was in name only! Who gave you permission to consummate the vows?""Theodore Hopkin, governor of this colony, representative of the kind, and it's going to cost you plenty, for that daughter of yours is nothing but trouble. What in the blazes were you thinking to allow her an education?"Drew bit back his smile at the man's shocked expression. Nothing like landing the first punch.Lord Randall furrowed his bushy gray brows."I knew not about her education until it was too late."Drew straightened the cuffs of his shirt. "Well, be prepared to pay dearly for it. No man should have to suffer through what I do with the constant spouting of the most addlepated word puzzles you could imagine."-----------------------------------------"I require fifteen thousand pounds."Lord Randall spewed ale across the floor. "What! Surely drink has tickled your poor brain. You're a FARMER, you impudent rascal. I'll give you five thousand."Drew plopped his drink onto the table at his side, its contents sloshing over the rim. A satisfied smile broke across his face."Excellent." He stood."When will you take her back to England with you? Today? Tomorrow?"The old man's red-rimmed eyes widened. "I cannot take her back. Why, she's already birthed a child!" Drew shrugged. "Fifteen thousand or I send her AND the babe back, with or without you.
(Nicholas)"Am I dead?"An odd question, but then she rememberd her mourning attire. "No sir, you are not."He relaxed a moment, then turned his head slightly as if searching for other passengers. His brows dived in a scowl.Am I married?"She wasn't sure how to answer. His kid gloves hid any evidence of his matrimonial state, but his expression of instantaneous alarm and regret suggested he was referring specifically to her. No sir, we are not.
Great writers, I discovered, were not to be bowed down before and worshipped, but embraced and befriended. Their names resounded through history not because they had massive brows and thought deep incomprehensible thoughts, but because they opened windows in the mind, they put their arms round you and showed you things you always knew but never dared to believe. Even if their names were terrifyingly foreign and intellectual sounding, Dostoevsky, Baudelaire or Cavafy, they turned out to be charming and wonderful and quite unalarming after all.
Demetrius the grammarian finding in the temple of Delphos a knot of philosophers set chatting together, said to them, “Either I am much deceived,or by your cheerful and pleasant countenances, you are engaged in no very deep discourse.” To which one of them, Heracleon the Megarean, replied: “ ’Tis for such as are puzzled about inquiring whether the future tense of the verb Ballo be spelt with adouble L, or that hunt after the derivation of the comparatives Cheirou and Beltiou, and the superlatives Cheiriotou and Beliotou, to knit their brows whilst discoursing of their science; but as to philosophical discourses, they always divert and cheer up those that entertain them, and never deject them or make them sad.
Under her high brows, she eyed him straight on and straight across. She had gone to girls' schools, he recalled later. Those girls looked straight at you.
I have the feeling we just made a deal with the devil, and he's going to come back and want our first-born child or something."Daemon waggled his brows. "You want kids? Because you know, practice makes--""Shut up." I shook my head and started walking.
Would you like me to grovel with gratitude for bringing me here, High Lord?""Ah. The Suriel told you nothing important, did it?"That smile of his sparked something bold in my chest. "He also said that you liked being brushed, and if I'm a clever girl, I might train you with treats."Tamlin tipped his head to the sky and roared with laughter. Despite myself, I let out a quiet laugh. "I might die of surprise," Lucien said behind me. "You made a joke, Feyre."I turned to look at him with a cool smile. "You don't want to know what the Suriel said about you." I flicked my brows up, and Lucien lifted his hands in defeat."I'd pay good money to hear what the Suriel thinks of Lucien," Tamlin said.A cork popped, followed by the sounds of Lucien chugging the bottle's contents and chuckling with a muttered, "Brushed.
Whatever it is," I said, "the point is moot because as long as I'm on these pills, I can't make contact to ask."Derek ... snapped, "Then you need to stop taking the pills."Love to. If I could. But after what happened last night, they're giving me urine tests now."Ugh. That's harsh." Simon went quiet, then snapped his fingers.Hey, I've got an idea. It's kinda gross, but what if you take the pills, crush them and mix them with your, you know, urine."Derek stared at him.What?"You did pass chem last year, didn't you?"Simon flipped him the finger. "Okay, genius, what's your idea?"I'll think about it. ..."***Here," Derek whispered, pressing an empty Mason jar into my hand. He'd pulled me aside after class and we were now standing at the base of the boy's staircase. "Take this up to your room and hide it."It's a ... jar."He grunted, exasperated that I was so dense I failed to see the critical importance of hiding an empty Mason jar in my room.It's for your urine."My what?"He rolled his eyes, a growl-like sound sliding through his teeth ashe leaned down, closer to my ear. "Urine. Pee. Whatever. For the testing."I lifted the jar to eye level. "I think they'll give me somethingsmaller."...You took your meds today, right?" he whispered.I nodded.Then use this jar to save it."Save . . . ?"Your urine. If you give them some of today's tomorrow, it'll seem like you're still taking your meds."You want me to . . . dole it out? Into specimen jars?"Got a better idea?"Um, no, but ..." I lifted the jar and stared into it.Oh, for God's sake. Save your piss. Don't save your piss. It's all the same to me."Simon peeked around the corner, brows lifted. "I was going to ask what you guys were doing, but hearing that, I think I'll pass.
Stick your dick in’?” I asked, my brows probably touching. “Did you actually just say that?” “Make love. I meant make love … of course. I would never just stick my dick in you. I would make mad, passionate love to this sweet, sweet body of yours for days, no, weeks. It would be beautiful, pumpkin. There’d be little angels, and birdies, and you know … all just hanging around, watching. Perverts.
Far be it from me to slow down two badass supermodels on a mission, but we have a problem," a male voice said wryly.I could see Christian out of the corner of my eye as we turned, his stance and movements almost synchronized to my own. We shared a look, our expressions almost identically similar, wit arched brows and half-smiles."What's the problem?" I called out, scanning the faces to see who had spoken."You're a badass supermodel," Christian muttered under his breath at the same time, taking the mature approach, as usual.
What passing bells for these who die as cattle?Only the monstrous anger of the guns.Only the stuttering rifle's rapid rattleCan patter out their hasty orisons.No mockeries now for them; no prayers, nor bells,Nor any voice of mourning save the choirs,The shrill demented choirs of wailing shells,And bugles calling for them from sad shires.What candles may be held to speed them all?Not in the hands of boys, but in their eyes,Shall shine the holy glimmers of goodbyes.The pallor of girls' brows shall be their pall,Their flowers the tenderness of patient minds,And each, slow dusk a drawing down of blinds.
Yea, she hath passed hereby, and blessed the sheaves,And the great garths, and stacks, and quiet farms,And all the tawny, and the crimson leaves.Yea, she hath passed with poppies in her arms,Under the star of dusk, through stealing mist,And blessed the earth, and gone, while no man wist.With slow, reluctant feet, and weary eyes,And eye-lids heavy with the coming sleep,With small breasts lifted up in stress of sighs,She passed, as shadows pass, among the sheep;While the earth dreamed, and only I was wareOf that faint fragrance blown from her soft hair.The land lay steeped in peace of silent dreams;There was no sound amid the sacred boughs.Nor any mournful music in her streams:Only I saw the shadow on her brows,Only I knew her for the yearly slain,And wept, and weep until she come again.
You're very lovely, gatita."Her brows pulled together, and she gave him a skeptical stare."Do not look at your master as if he's an idiot.
So I’m there, surrounded by all these young and old girls who are obviously in season and I don’t know what to do.”The trained psychologist cleared his throat, his brows raised.“Girls… in season?” he questioned dubiously.“Yeah… and they’re all backing up to me and I just know that if I let them fall pregnant the boss’ll kill me, but I’m stuck.”“Umm… what exactly are we talking about?”“My dream: me holding the teaser and all the clients’ expensive mares-”“Oh! So these are horses. Tell me, what’s a teaser?
O woman, father says natural is beautifulso why do you redden your cheeks and blacken your eyes?Why do you remove the hair on your legsand draw them into your brows?Why do you hold your breathlest your stomach showand hold your fartlest they knowthat you’re a human? O woman, father says natural is beautifulso why do you straighten your hairto curl it nextand pretend to orgasm so they think you enjoyed the sex?Why do you dumb yourself downand push your breasts up?Why do you smile when you’re told toand love when you don’t want to?When? When will you stop, woman? Father says natural is beautifulbut that is doubtfulfor what does father knowhe’s only a fellow.
What did we talk about?I don't remember. We talked so hard and sat so still that I got cramps in my knee. We had too many cups of tea and then didn't want to leave the table to go to the bathroom because we didn't want to stop talking. You will think we talked of revolution but we didn't. Nor did we talk of our own souls. Nor of sewing. Nor of babies. Nor of departmental intrigue. It was political if by politics you mean the laboratory talk that characters in bad movies are perpetually trying to convey (unsuccessfully) when they Wrinkle Their Wee Brows and say (valiantly--dutifully--after all, they didn't write it) "But, Doctor, doesn't that violate Finagle's Constant?" I staggered to the bathroom, released floods of tea, and returned to the kitchen to talk. It was professional talk. It left my grey-faced and with such concentration that I began to develop a headache. We talked about Mary Ann Evans' loss of faith, about Emily Brontë's isolation, about Charlotte Brontë's blinding cloud, about the split in Virginia Woolf's head and the split in her economic condition. We talked about Lady Murasaki, who wrote in a form that no respectable man would touch, Hroswit, a little name whose plays "may perhaps amuse myself," Miss Austen, who had no more expression in society than a firescreen or a poker. They did not all write letters, write memoirs, or go on the stage. Sappho--only an ambiguous, somewhat disagreeable name. Corinna? The teacher of Pindar. Olive Schriener, growing up on the veldt, wrote on book, married happily, and ever wrote another. Kate Chopin wrote a scandalous book and never wrote another. (Jean has written nothing.). There was M-ry Sh-ll-y who wrote you know what and Ch-rl-tt- P-rk-ns G-lm-an, who wrote one superb horror study and lots of sludge (was it sludge?) and Ph-ll-s Wh--tl-y who was black and wrote eighteenth century odes (but it was the eighteenth century) and Mrs. -nn R-dcl-ff- S-thw-rth and Mrs. G--rg- Sh-ld-n and (Miss?) G--rg-tt- H-y-r and B-rb-r- C-rtl-nd and the legion of those, who writing, write not, like the dead Miss B--l-y of the poem who was seduced into bad practices (fudging her endings) and hanged herself in her garter. The sun was going down. I was blind and stiff. It's at this point that the computer (which has run amok and eaten Los Angeles) is defeated by some scientifically transcendent version of pulling the plug; the furniture stood around unknowing (though we had just pulled out the plug) and Lady, who got restless when people talked at suck length because she couldn't understand it, stuck her head out from under the couch, looking for things to herd. We had talked for six hours, from one in the afternoon until seven; I had at that moment an impression of our act of creation so strong, so sharp, so extraordinarily vivid, that I could not believe all our talking hadn't led to something more tangible--mightn't you expect at least a little blue pyramid sitting in the middle of the floor?
We might not return from this voyage. None of us. We might all lay down our lives when we reach the end, and not ever know whether our sacrifice changed anything for the better.”“It will be for the better,” Magiano replies. “We cannot just die, not without trying. Not without fighting.”“Do you really believe that?” I ask. “Why are we doing this, anyway? To preserve my own life, and yours—but what has the world ever done for us in order to deserve our sacrifice?”Magiano’s brows furrow for a moment, then he leans in closer. “We exist because this world exists. It’s a responsibility of ours, whether or not anyone will remember it.” He nods at me. “And they will. Because we will return and make sure of it.
How very lovable her face was to him. Yet there was nothing ethereal about it; all was real vitality, real warmth, real incarnation. And it was in her mouth that this culminated. Eyes almost as deep and speaking he had seen before, and cheeks perhaps as fair; brows as arched, a chin and throat almost as shapely; her mouth he had seen nothing to equal on the face of the earth. To a young man with the least fire in him that little upward lift in the middle of her red top lip was distracting, infatuating, maddening. He had never before seen a woman’s lips and teeth which forced upon his mind with such persistent iteration the old Elizabethan simile of roses filled with snow.Perfect, he, as a lover, might have called them off-hand. But no — they were not perfect. And it was the touch of the imperfect upon the would-be perfect that gave the sweetness, because it was that which gave the humanity.
Her honey-coloured hair fell in heavy wavesbelow her shoulders and as she stared up at him her eyes, clear, speckled amber, seemed to tilt at the corners; her brows were black and swept up in arcs, and she had thick black lashesh. There was about her a kind of warm luxuriance, something immediately suggestive to the men of pleasurable fulfillment- something for which she was not responsible but of which she was acutely conscious.
Rebecca's eyes were like faith,—"the substance of things hoped for, the evidence of things not seen." Under her delicately etched brows they glowed like two stars, their dancing lights half hidden in lustrous darkness. Their glance was eager and full of interest, yet never satisfied; their steadfast gaze was brilliant and mysterious, and had the effect of looking directly through the obvious to something beyond, in the object, in the landscape, in you. They had never been accounted for, Rebecca's eyes. The school teacher and the minister at Temperance had tried and failed; the young artist who came for the summer to sketch the red barn, the ruined mill, and the bridge ended by giving up all these local beauties and devoting herself to the face of a child,—a small, plain face illuminated by a pair of eyes carrying such messages, such suggestions, such hints of sleeping power and insight, that one never tired of looking into their shining depths, nor of fancying that what one saw there was the reflection of one's own thought.
Arin, are you all right?""How?" He managed. "How did her arm break?""She fell of a ladder."He must have visibly relaxed, because his cousin raised her brows and looked ready to scold. "I imagined something worse," he tried to explain.She appeared to understand his relief that pain, if it had to come, came this time without malice. Just and accident. Done by no one. The luck, sometimes of life. A bad slip that ends with bread, and someone to bind you.
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