Inspirational quotes with blending.
I tried to make my life colorful with basic colors Red, Green and Blue....... ohh god... my perfection in blending made it white !!! now again confused…. should go with :( or :)
An ant can't define shape of an elephant solely from its' point of view.They have to unify all views. It's a way for ant to understand elephant.In order to understand true realities, men need to do mental blending.
Through love, tribes have been intermixing colors to reveal a new rainbow world. And as more time passes, this racial and cultural blending will make it harder for humans to side with one race, nation or religion over another.
To see something as either black or white is easy. To see the entirety in something that has blending colors takes time. To see something that’s not there, takes one who is a visionary.
Glossa Time goes by, time comes along,All is old and all is new;What is right and what is wrong,You must think and ask of you;Have no hope and have no fear,Waves that rise can never hold;If they urge or if they cheer,You remain aloof and cold. To our sight a lot will glisten,Many sounds will reach our ear;Who could take the time to listenAnd remember all we hear?Keep aside from all that patter,Seek yourself, far from the throng When with loud and idle clatterTime goes by, time comes along.Nor forget the tongue of reasonOr its even scales depressWhen the moment, changing season,Wears the mask of happiness -It is born of reason's slumberAnd may last a wink as true:For the one who knows its numberAll is old and all is new.Be as to a play, spectator,As the world unfolds before:You will know the heart of matterShould they act two parts or four;When they cry or tear asunderFrom your seat enjoy alongAnd you'll learn from art to wonderWhat is right and what is wrong.Past and future, ever blending,Are the twin sides of same page:New start will begin with endingWhen you know to learn from age;All that was or be tomorrowWe have in the present, too;But what's vain and futile sorrowYou must think and ask of you;For the living cannot severFrom the means we've always had:Now, as years ago, and ever,Men are happy or are sad:Other masks, same play repeated;Diff'rent tongues, same words to hear;Of your dreams so often cheated,Have no hope and have no fear.Hope not when the villains clusterBy success and glory drawn:Fools with perfect lack of lusterWill outshine Hyperion!Fear it not, they'll push each otherTo reach higher in the fold,Do not side with them as brother,Waves that rise can never hold.Sounds of siren songs call steadyToward golden nets, astray;Life attracts you into eddiesTo change actors in the play;Steal aside from crowd and bustle,Do not look, seem not to hearFrom your path, away from hustle,If they urge or if they cheer;If they reach for you, go faster,Hold your tongue when slanders yell;Your advice they cannot master,Don't you know their measure well?Let them talk and let them chatter,Let all go past, young and old;Unattached to man or matter,You remain aloof and cold.You remain aloof and coldIf they urge or if they cheer;Waves that rise can never hold,Have no hope and have no fear;You must think and ask of youWhat is right and what is wrong;All is old and all is new,Time goes by, time comes along.
The energies that make us act out of anger,fear,insecurity and doubt are extremely familiar. They are like an old,dark house we return to whenever things get too hard to handle.It feels risky to leave this house and see what's outside,yet we have to leave if we expect to be loved.So we take the risk.We walk out into the light and offer ourselves to the beloved.This feels wonderful;it's like nothing we have imagined in our old,dark house.But when things get tough,we run back inside,we choose familiarity to fear and lovelessness over the vulnerability of love, until finally we feel safe enough to go back and try love again.This is essentially the rhythm of every intimate relationship-risk and retreat. Over and over we repeat this rhythm,accepting love and pushing it away until finally something miraculous happiness. The old,dark house isn't necessary anymore.We look around, and we have a new house, a house of light. Where did it come from?How did we build it? It was built from the love of the heart.It has silently been weaving our higher and lower natures,blending fear,anger,survival and protection into the energies of devotion,trust,compassion and acceptance.
See now, for a good blade, one that will not betray the man in battle, rods of hard and soft iron must be heated and braided together. Then is the blade folded over and hammered flat again, and maybe yet again, many times for the finest blades... So the hard and soft iron are mingled without blending, before the blade is hammered up to its finished form and tempered, and ground to an edge that shall draw blood from the wind. So comes the pattern, like oil and water that mingle but do not mix. Yet it is the strength of the blade, for without the hard iron the blade would bend in battle, and without the soft iron it would break.
The grass always seems greener on the other side of the fence. Many politicians promise green, green grass by blending niceties with delusion and by using alluring confidence tricks. They voice attractive tales and tell things, people like to hear. But the post-factual grassland often appears to be parched and barren. ("The grass was greener over there")
In my heaven sweet melodies of the skies ripple pool of the sea playing sweet song to me, sharing tales of the past, blending with mine as mirage, painting new...I breathe in, am in love and alive...
Blending into the tinctures and textures of the countryside. The tree which falls without any human hearing still falls, as the creatures who die without being found by a human still die.
The world is no longer white, black, yellow and brown. Through love, tribes have been intermixing colors to reveal a new rainbow world. And as more time passes, this racial and cultural blending will make it harder for humans to side with one race, nation or religion over another.
Tracker Marks was of a different opinion. Though he seemed more white than a white man, he had no time for their ways. For him his dress, his deportment was no different than staying downwind in the shadows of trees when hunting, blending into the world of those he hunted, rather than standing out from it. Once he had excelled at the emu dance & the kangaroo dance; then his talent led him to the whitefella dance, only now no-one was left of his tribe to stand around the fire & laugh & praise his talent for observation & stealthy imitation.The whites have no law, he told Capois Death, no dreaming. Their way of life made no sense whatsoever. Still, he did not hate them or despise them. They were stupid beyond belief, but they had a power, & somehow their stupidity & their power were, in Tracker Marks’s mind, inextricably connected. But how? he asked Capois Death. How can power & ignorance sleep together? Questions to which Capois Death had no answer.
Gareth Miller grabbed the beer first, then the hotdog, because if there’s one thing you don’t want to be caught dead without at these sorts of events it’s beer. The hotdog was strictly for show, a prop, a way of blending in.Burst of static in his right ear: “G-man, you read me? What’s yo’ twenty, dawg?”Gareth departed the concession stand, stopped, looked down at his hands, and tossed the hotdog into the first trash receptacle he saw. Raising his wrist to his mouth, he spoke into the cuff of his long-sleeved tee. “Concession stand, Section B. Over.”Allowing his hand to linger by his chin, he gingerly scratched his cheek as if he had meant to do it all along. The same voice: “Yo, I’m in position. Ready when you is.”Gareth cringed while crossing the wide concourse, checking both directions. The giant hallway was the main drag of a ghost town, its only residents a solitary custodian sweeping debris into a portable waste bin and the concession crew to his rear.
Motionless we traverse countries we fancy we see, and your thought, blending with the fiction, playing with the details, follows the outline of the adventures. It mingles with the characters, and it seems as if it were yourself palpitating beneath their costumes.
The exercise of blending people’s problem-solving abilities to produce the desired outcome is a worthwhile thing to do.
Play and productivity are no longer two separate worlds that rarely meet. They can come together like happy fistfuls of Play-Doh, beautifully blending to reveal the brand-new colors of a meaningful life. You get to play AND do. Play matters. Your life matters. It's time to manifest.
The piece of you that loves a part of me tries its best to hold onto the rest,but my heart is a thousand-piece puzzle of a faraway galaxy, deep purple,colors blending together and impossible to place.
My mom was sitting at the kitchen table. She’d set her coffee down, making a noise that made me look her way. I’d begun to notice her less and less often, like her colors were fading and blending in with walls. She was shrinking. Or maybe her sphere of influence in the family was shrinking. My dad glanced at her, too, and then wrote something on a napkin. He slid it across the counter to me—Don’t worry. Come home in one piece. Have fun and act like a sixteen-year-old for a change.
No spiritual exercise is such a blending of complexity and simplicity. It is the simplest form of speech that infant lips can try, yet the sublimest strains that reach the Majesty on high. It is as appropriate to the aged philosopher as to the little child. It is the ejaculation of a moment and the attitude of a lifetime. It is the expression of the rest of faith and of the fight of faith. It is an agony and an ecstasy. It is submissive and yet importunate. In the one moment it lays hold of God and binds the devil. It can be focused on a single objective and it can roam the world. It can be abject confession and rapt adoration.
I looked up at him, rain blending into my tears, ''Michael listen! You told me once that when you thought of life, you thought of this big ship in the middle of the sea and all the dangers and risks and stuff... but you also told me that love is a risk and that has to be treasured and shown in the brightest light. Well honey, love is apart of life. And if you're too afraid to risk loving me, than you won't have me, because the only thing I'll ever do is live.
My brother asked the birds to forgive him: that sounds senseless, but it is right; for all is like an ocean, all is flowing and blending; a touch in one place sets up movement at the other end of the earth. It may be senseless to beg forgiveness of the birds, but birds would be happier at your side –a little happier, anyway– and children and all animals, if you yourself were nobler than you are now. It’s all like an ocean, I tell you. Then you would pray to the birds too, consumed by an all-embracing love in a sort of transport, and pray that they too will forgive you your sin.
I was starting to learn how to forget the things that made me sad. It was like a charm you followed step-by-step, collecting and blending the ingredients, placing everything in its proper place. It was the magic of forgetting.
Nothing returns, nothing begins anew; it is never the same thing, and yet it seems always the same. For, if the days never return, every moment brings forth new beings whose destiny it will be to create for themselves, in the course of their lives, the same illusions that have companioned and at times illuminated ours. The fabric is eternal; eternal, the embroidery. A universe dies when we die; another is born when a new creature comes to earth with a new sensibility. If, then, it is very true that nothing begins all over again, it is very just to say, too, that everything continues. One may fearlessly advance the latter statement or the former, according to whether one considers the individual or the blending of generations. From this second point of view, everything is coexistent; the same cause produces contradictory, yet logical effects. All the colors and their shades are printed at a single impression, to form the wonderful image we call life.
For Merleau-Ponty, the phenomenology of the human body, the very phenomenon of the human body, is intimately linked to "the problems of painting": "Things have an internal equivalent in me; they arouse in me a carnal formula of their presence. Why shouldn't these [correspondences] in turn give rise to some [external] visible shape in which anyone else would recognize those motifs which support his own inspection of the world?" Painting brings forth a carnal visuality, an embodied and incarnate image, by establishing the internal equivalent ("in me") of the outside world, which is made of the "same stuff." I am an extension of the world, but the world extends, intensifies, forms a "line of intensity," to use Gilles Deleuze's idiom, inside me. The world forms a "strange system of exchanges" with me; I am constituted in an exchange with the world. Painting makes this continuity visible, is itself the visualization of this continuity, of this blending of the inside and out. Images—"designs" and "paintings"—says Merleau-Ponty, are "the inside of the outside and the outside of the inside, which the duplicity of feeling makes possible and without which we would never understand the quasi presence and imminent visibility which make up the whole problem of the imaginary.
Previously, as I went through life, I was in full belief of the concept of "blending" (I was fully convinced that I as a person am completely capable of blending myself in the accordance of friendship, in order to give respect to the differences between people and in order for others to feel that I respect them). However, I have come to learn at this time in my life, that such an attitude is all good for a while, but then there does come a point where you must see and identify yourself; also see and identify others! You have to be able to identify yourself as someone who is made happy by this and as someone who doesn't like that; then when you meet people, discern if those same things are the things that make them happy and if those same things are the things that they don't like, because at a point in time it becomes beneficial to you, to not waste time on blending in behalf of virtue but rather it becomes beneficial to you, to see yourself and go into the direction that makes you happy, taking people with you that are already going in that same direction and who also do not like the things that you do not like. At the end of the day, there are those paths in life, and you have to take one of them, you can't walk down all of them.
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