Inspirational quotes with bits.
And now I’m looking at you,” he said, “and you’re asking me if I still want you, as if I could stop loving you. As if I would want to give up the thing that makes me stronger than anything else ever has. I never dared give much of myself to anyone before – bits of myself to the Lightwoods, to Isabelle and Alec, but it took years to do it – but, Clary, since the first time I saw you, I have belonged to you completely. I still do. If you want me.
It’s the way he had a cup of tea waiting for me when I woke up. It’s the way he turned on his laptop especially for me to look up all my Internet horoscopes and helped me choose the best one. He knows all the crappy, embarrassing bits about me that I normally try to hide from any man for as long as possible… and he loves me anyway.
Hard is trying to rebuild yourself, piece by piece, with no instruction book, and no clue as to where all the important bits are supposed to go.
Sometimes it seemed to him that his life was delicate as a dandelion. One little puff from any direction, and it was blown to bits.
-BDB on the board-Knitter's AnonimousMay 8, 2006Rhage (in his bedroom posting in V's room on the board)Hi, my name is V.("Hi, V")I've been knitting for 125 years now.(*gasping noises*)It's begun to impact my personal relationships: my brothers think I'm a nancy. It's begun to affect my health: I'm getting a callus on my forefinger and I find bits of yarn in all my pockets and I'm starting to smell like wool. I can't concentrate at work: I keep picturing all these lessers in Irish sweaters and thick socks.(*sounds of sympathy*)I've come seeking a community of people who, like me, are trying not to knit. Can you help me?(*We're with you*)Thank you (*takes out hand-knitted hankie in pink*)(*sniffles*)("We embrace you, V")Vishous (in the pit): Oh hell no...you did not just put that up. And nice spelling in the title. Man...you just have to roll up on me, don't you. I got four words for you, my brother.Rhage: Four words? Okay...lemme see... Rhage, you're so sexy.hmmm....Rhage, you're SO smart. No wait! Rhage, you're SO right! That's it, isn't it...g'head. You can tell me. Vishous: First one starts with a "P"Use your head for the other three. Bastard.Rhage: P? Hmm... Please pass the yarnVishous: Payback is a bitch!Rhage: OhhhhhhhhhhhhI'm so scuuuuuurred. Can you whip me up a blanket to hide under?
We in our age are faced with a strange paradox. Never before have we had so much information in bits and pieces flooded upon us by radio and television and satellite, yet never before have we had so little inner certainty about our own being. The more objective truth increases, the more our inner certitude decreases. Our fantastically increased technical power, and each forward step in technology is experienced by many as a new push toward our possible annihilation. Nietzsche was strangely prophetic when he said,“We live in a period of atomic chaos…the terrible apparition…the Nation State…and the hunt for happiness will never be greater than when it must be caught between today and tomorrow; because the day after tomorrow all hunting time may have come to an end altogether.”Sensing this, and despairing of ever finding meaning in life, people these days seize on the many ways of dulling their awareness by apathy, by psychic numbing, or by hedonism. Others, especially young people, elect in alarming and increasing numbers to escape their own being by suicide.
We seem to inhabit a universe made up of a small number of elements-particles-bits that swirl in chaotic clouds, occasionally clustering together in geometrically logical temporary configurations.
You want to tell a story? Grow a heart. Grow two. Now, with the second heart, smash the first one into bits.
Mine was a patchwork God, sewn together from bits of rag and ribbon, Eastern and Western, pagan and Hebrew, everything but the kitchen sink and Jesus.
Forgive and forget what had happened. Do not brood over your past mistakes and failures. Relax !!! You are constantly evolving. Love yourself to bits.Get up !!! Step out !!! And keep this in mind that God’s help is close at hand. Repose trust in Him and all will be well. ~Latika Teotia
While differing widely in the various little bits we know, in our infinite ignorance we are all equal.
The Master said, “What a worthy man was Yan Hui! Living in a narrow alley, subsisting upon meager bits of rice and water—other people could not have borne such hardship, and yet it never spoiled Hui’s joy. What a worthy man was Hui!”(Analects 6.11)
What the hell was going on, why did I care, and why, oh why, did I not carry a pocket rocket in my purse? My girlie bits were still on fire, screaming for release after Mr. Sex God’s orgasmic touch.
Taggle, meanwhile, made himself popular, killing rats and bringing a rabbit into camp every evening, preening in the praise - silently, thank god, though at night, he recounted choice bits to Kate: "Rye Baro says I am a princeling; he split the leg bone for me so that I could eat the marrow. They love me. And I'm sure they'll keep you, too."Mira, she thought, and treasured it each time she heard it, They must keep me. Family.
I argue against purism not because I want a devastated world, the Mordor of industrial capitalism emerging as from a closely aligned alternate universe through our floating islands of plastic gradually breaking down into microbeads consumed by the scant marine life left alive after generations of overfishing, bottom scraping, and coral reef–killing ocean acidification; our human-caused, place-devastating elevated sea levels; our earth-shaking, water poisoning fracking; our toxic lakes made of the externalities of rare-earth mineral production for so-called advanced electronics; our soul-and-lifedestroying prisons; our oil spills; our children playing with bits of dirty bombs; our white phosphorus; our generations of trauma held in the body; our cancers; and I could go on. I argue against purism because it is one bad but common approach to devastation in all its forms. It is a common approach for anyone who attempts to meet and control a complex situation that is fundamentally outside our control. It is a bad approach because it shuts down precisely the field of possibility that might allow us to take better collective action against the destruction of the world in all its strange, delightful, impure frolic. Purism is a de-collectivizing, de-mobilizing, paradoxical politicsof despair. This world deserves better.
I think I’m getting a notion of how to do this. O.K., a carnival works because people pay to feel amazed and scared. They can nibble around a midway getting amazed here and scared there, or both. And do you know what else? Hope. Hope they’ll win a prize, break the jackpot, meet a girl, hit a bull’s-eye in front of their buddies. In a carnival you call it luck or chance, but it’s the same as hope. Now hope is a good feeling that needs risk to work. How good it is depends on how big the risk is if what you hope doesn’t happen. You hope your old auntie croaks and leaves you a carload of shekels, but she might leave them to her cat. You might not hit the target or win the stuffed dog, you might lose your money and look like a fool. You don’t get the surge without the risk. Well. Religion works the same way. The only difference is that it’s more amazing than even Chick or the twins. And it’s a whole lot scarier than the Roll-a-plane or the Screamer, or any simp twister. This scare stuff laps over into the hope department too. The hope you get from religion is a three-ring, all-star hope because the risk is outrageous. Bad! Well, I’m working on it. I’ve got the amazing part down. And the scary bits are a snap. But I’ve got to come up with a hope.
That's a nice song,' said young Sam, and Vimes remembered that he was hearing it for the first time. It's an old soldiers' song,' he said. Really, sarge? But it's about angels.' Yes, thought Vimes, and it's amazing what bits those angels cause to rise up as the song progresses. It's a real soldiers' song: sentimental, with dirty bits. As I recall, they used to sing it after battles,’ he said. 'I've seen old men cry when they sing it,’ he added. Why? It sounds cheerful.' They were remembering who they were not singing it with, thought Vimes. You'll learn. I know you will.
[Children] just cannot be sad too long, it is not in them, as children mourn in little bits here and there like patchwork in their lives.
Once very near the end I said, 'If you can -- if it is allowed -- come to me when I too am on my death bed.' 'Allowed!' she said. 'Heaven would have a job to hold me; and as for Hell, I'd break it into bits.
All I'd ever wanted was to forget. but even when I thought I had, pieces had kept emerging, like bits of wood floating up to the surface that only hint at the shipwreck below.
The Old FoolsWhat do they think has happened, the old fools,To make them like this ? Do they somehow supposeIt's more grown-up when your mouth hangs open and droolsAnd you keep on pissing yourself, and can't rememberWho called this morning ? Or that, if they only chose,They could alter things back to when they danced all night,Or went to their wedding, or sloped arms some September ?Or do they fancy there's really been no change, And they've always behaved as if they were crippled or tight,Or sat through days of thin continuous dreamingWatching light move ? If they don't (and they can't), it's strange:Why aren't they screaming ?At death, you break up: the bits that were youStart speeding away from each other for everWith no one to see. It's only oblivion, true: We had it before, but then it was going to end,And was all the time merging with a unique endeavourTo bring to bloom the million-petalled flowerOf being here. Next time you can't pretendThere'll be anything else. And these are the first signs:Not knowing how, not hearing who, the powerOf choosing gone. Their looks show that they're for it:Ash hair, toad hands, prune face dried into lines-How can they ignore it ?Perhaps being old is having lighted roomsInside your head, and people in them, acting.People you know, yet can't quite name; each loomsLike a deep loss restored, from known doors turning, Setting down a Iamp, smiling from a stair, extractingA known book from the shelves; or sometimes onlyThe rooms themselves, chairs and a fire burning,The blown bush at the window, or the sun' sFaint friendliness on the wall some lonelyRain-ceased midsummer evening. That is where they live:Not here and now, but where all happened once.This is why they giveAn air of baffled absence, trying to be thereYet being here. For the rooms grow farther, leavingIncompetent cold, the constant wear and tearOf taken breath, and them crouching belowExtinction' s alp, the old fools, never perceivingHow near it is. This must be what keeps them quiet.The peak that stays in view wherever we goFor them is rising ground. Can they never tellWhat is dragging them back, and how it will end ? Not at night?Not when the strangers come ? Never, throughoutThe whole hideous inverted childhood? Well,We shall find out.
Poetry isn't like any writing I've ever heard before. I don't understand all of it, just bits of images, sentences that appear half-finished, all fluttering together like brightly colored ribbons in the wind.
Thinking has a quiet skin. But I feel the and of things inside it. Blue hills most gentle in calm light, then stretches of assailAnd ransack. Such tangles of charred wreckage, shrapnel-bits Singling and singeing where they fall. I feel the stumbling gait of what I am,The quiet uproar of undone, how to be hidden is a tempting, violent thing— Each thought breaking always in another.All the unlawful elsewheres rushing in.
The force that played havoc with the cortisol in my blood was the same force that helped my body recover; if I felt better one day and worse the next, it was unchanged. It chose no side. It gave the girl next to me in the hospital pneumonia; it also gave her white blood cells that would resist the infection. And the atoms in those cells, and the nuclei in those atoms, the same bits of carbon that were being spun into new planets in some corner of space without a name. My insignificance had become unspeakably beautiful to me. That unified force was a god too massive, too inhuman, to resist with the atheism in which I had been brought up. I became a zealot without a religion.
What is drama but life with the dull bits cut out.
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