Inspirational quotes with billie.
You sleep okay, sweetie?” “Miss my teddy,” Billie replied. Personally, I thought Detective Mitch Lawson was far superior to a tiny pink teddy bear but I wasn’t six years old.
The man who gets Mara gets you and Billie. I’m that man. What you gotta get is, while fallin’ in love with Mara, I fell in love with you and your sister. Straight up, Bud, no lie. The feelings I feel for Mara are hers, the feelings I feel for Billie are hers and the feelings I feel for you are yours. You all have my love, not collectively, individually. Do you understand me?” “Mitch nodded. “Right. What I mean is, I didn’t fall in love with you all as a whole. I fell in love with each of you because of who you are. I don’t care about you because you come with Mara. I care about you because you’re a good kid. You’re smart. You’re loyal. And you love and look out for your sister and Mara. I know grown men who do not have a character as fine as yours. Those are the reasons I love you. There are different reasons I love Billie. And there are different reasons I love Mara. Today, what we had together was good. But the feelings I feel for you aren’t feelings I have to have in order to have Mara. They’re feelings you earned. Now, you with me?
Earth is a homicide victim. We lose our children. There are wars. Disease. And God comes strolling by like a cosmic Billie Burke.
So does nobody care about Ireland?""Nobody. Neither King Louis, nor King Billie, nor King James." He nodded thoughtfully. "The fate of Ireland will be decided by men not a single one of whom gives a damn about her. That is her tragedy.
But there she was, standing next to his mother, so beautiful, so radiant that he could not see anyone else. Suddenly the rest of the world seemed like such a chore. He didn’t want to be here at this dance, with people he didn’t want to talk to and messages he didn’t particularly wish to deliver. He didn’t want to dance with young ladies he didn’t know, and he didn’t want to make polite conversation with people he did. He just wanted Billie, and he wanted her all to himself. He forgot about Tallywhite. He forgot about pease, porridge, and pudding, and he stalked across the room with such single-minded purpose that the crowds seemed to melt from his path. And somehow, amazingly, the rest of the world had not yet noticed her. She was so beautiful, so uncommonly alive and real in this room full of waxen dolls. She would not go undiscovered for long. But not yet. Soon he would have to fight the throngs of eager young gentlemen, but for now, she was still his alone.
You know all of the young gentlemen better than I do,” Lady Manston continued. “Are there any we should avoid?” All of them, George wanted to say. ''What about Ashbourne’s son?''“No.” “No?” his mother echoed. “No, as in you don’t have an opinion?” “No, as in no. He is not for Billie.” Who, George could not help but note, was watching the mother-son exchange with an odd mix of curiosity and alarm. “Any particular reason?” Lady Manston asked. “He gambles,” George lied. Well, maybe it wasn’t a lie. All gentlemen gambled. He had no idea if the one in question did so to excess. “What about the Billington heir? I think he —” “Also no.” His mother regarded him with an impassive expression. “He’s too young,” George said, hoping it was true. “He is?” She frowned. “I suppose he might be. I can’t remember precisely.
Oh, come now, you two,” Lady Manston said, “surely it can be no surprise that I have long hoped for an alliance between the Rokesbys and Bridgertons.” “Alliance?” Billie echoed, and all George could think was that it was a terrible, clinical word, one that could never encompass all that he had come to feel for her.
Just like that. Gone forever. They will not grow old together. They will never live on a beach by the sea, their hair turned white, dancing in a living room to Billie Holiday or Nat Cole. They will not enter a New York club at midnight and show the poor hip-hop fools how to dance. They will not chuckle together over the endless folly of the world, its vanities and stupid ambitions. They will not hug each other in any chilly New York dawn. Oh, Mary Lou. My baby. My love.
For a moment he could do nothing but close his eyes. Was this a taste of the rest of his life as Billie Bridgerton’s husband? Was he destined to live in terror, wondering what sort of danger she’d thrown herself into that day? Was it worth it?“George?” she whispered. She sounded uneasy. Had she seen something in his expression? A sign of doubt? He touched her cheek, and he looked into her eyes. He saw his whole world there.“I love you,” he said. Someone gasped. It might have been his mother. “I cannot live without you,” he said, “and in fact, I refuse to do so. So no, you will not be going on some ill-advised mission to the coast to hand off a potentially dangerous package to people you don’t know. Because if anything happened to you…” His voice broke, but he didn’t care. “If anything happened to you, it would kill me. And I’d like to think you love me too much to let that happen.” Billie stared at him in wonder, her softly parted lips trembling as she blinked back tears. “You love me?” she whispered. He nearly rolled his eyes. “Of course I do.” “You never said.” “I must have done.” “You didn’t. I would have remembered.” “I would remember, too,” he said softly, “if you’d ever said it to me.” “I love you,” she said immediately. “I do. I love you so much. I —” “Thank God,” Lady Manston exclaimed. George and Billie both turned.
The principal furniture in Billie's mind was a good-sized bed.
She was still glad she looked like Scully. He wasn't pretty either, but pretty people weren't the kind you need. Pretty people saw themselves in the mirror and were either too happy or too sad. People like Billie just shrugged and didn't care. She didn't want to turn into anyone pretty. Anyway, she had scars now, you only had to look.
The only big weapon anyone has against you is that you’re human. Fucked-up, a bit. Imperfect, yes. In this, you are like every great human who has ever lived, male and female alike. If you’re slutty, well, Mary Wollstonecraft was pretty slutty. If you’re needy, my God, Charlotte Brontë’s needs could devour a person alive. If you’re mean, or self-destructive, or crazy, I assure you, Billie Holiday managed to record ‘Strange Fruit’ while being spectacularly self-destructive, and Sylvia Plath wrote Ariel while being both crazy and very, very mean. The world is still better with those works in it. Humanity is still lucky that those particular women existed, and that, despite their deep flaws and abudance of raw humanity, they stood up and said what they had to say.
I liked old time music but what i meant by that was the period from the 1930s through the 60s, nothing before and little after. Performers like fats waller, Sinatra, billie holiday, louis armstrong, rosemary clooney, ella, sammy Davis Jr, dean martin... If the lyrics weren't stupid. Words were important.
She also keeps talking about the Billie Holiday record she bought for me. And she says she wants to expose me to all these great things. And to tell you the truth, I don't really want to be exposed to all these great things if it means that I'll have to listen to Mary Elizabeth talk about all the great things she exposed me to all the time. It almost feels like of the three things involved: Mary Elizabeth, me, and the great things, only the first one matters to Mary Elizabeth. I don't understand that. I would give someone a record so they could love the record, not so they would always know that I gave it to them.
No, Mama. The sweetest hallelujah will be when Billie can walk in the front door of any place she pleases, and nobody will tell her she doesn't belong.
Is this your girl?" she asks, not waiting for an answer. "She's breathtaking.""You're my new favorite person," Billie giggles.
They walked off down the hall in the direction of a sign that said Colored Waiting Room. Billie guessed white folks didn't have to wait.
Guilty?” George’s face betrayed his surprise. “Whatever for?” “That neither of your brothers ever offered for me.” Another thing she probably should not have said. But as it happened, Billie did think that Lady Manston felt this way. And when George’s expression slid from curiosity to something that might have been jealousy… well, Billie could not help but feel a little pleased. “So I think she’s trying to make it up to me,” she said gamely. “It’s not as if I was waiting for one of them to ask me, but I think she thinks I was, so now she wants to introduce me —” “Enough,” George practically barked. “I beg your pardon?” He cleared his throat. “Enough,” he said in a much more evenly tempered voice. “It’s ridiculous.” “That your mother feels this way?” “That she thinks introducing you to a pack of useless fops is a sensible idea.” Billie took a moment to enjoy this statement.
Billie laughed at that, full and throaty, and once again she became so incandescently beautiful that George was half-tempted to throw a blanket over her, just to stop anyone else from wanting her.
And in the background of Early's story was her voice. Her soul. Her sadness and longing. Because when it's raining, it's always Billie Holiday. p. 81
What can we learn from women like Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday that we may not be able to learn from Ida B. Wells, Anna Julia Cooper, and Mary Church Terrell? If we were beginning to appreciate the blasphemies of fictionalized blues women - especially their outrageous politics of sexuality - and the knowledge that might be gleaned from their lives about the possibilities of transforming gender relations within black communities, perhaps we also could benefit from a look at the artistic contributions of the original blues women.
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