Inspirational quotes with apparitions.
I saw the spiders marching through the air,Swimming from tree to tree that mildewed dayIn latter August when the hayCame creaking to the barn. But whereThe wind is westerly,Where gnarled November makes the spiders flyInto the apparitions of the sky,They purpose nothing but their ease and dieUrgently beating east to sunrise and the sea;
Literary characters, like my grandmother's apparitions, are fragile beings, easily frightened; they must be treated with care so they will feel comfortable in my pages
The large, gaping flaws in the construction of the stories--mad wives in the attic, strange apparitions in Belgium--are a representation of the life she could not face; these gothic subterfuges represent the mind at a breaking point, frantic to find any way out. If the flaws are only to be attributed to the practicce of popular fiction of the time, we cannot then explain the large amount of genuine feeling that goes into them. They stand for the hidden wishes of an intolerable life.
But we have no [Marian] apparitions cautioning the Church against, say, accepting the delusion of an Earth-centered Universe, or warning it of complicity with Nazi Germany — two matters of considerable moral as well as historical import....Not a single saint criticized the practice of torturing and burning “witches” and heretics. Why not? Were they unaware of what was going on? Could they not grasp its evil? And why is [the Virgin] Mary always admonishing the poor peasant to inform the authorities? Why doesn’t she admonish the authorities herself? Or the King? Or the Pope?
What happened next? I retain nothing from those terrible minutes except indistinct memories which flash into my mind with sudden brutality, like apparitions, among bursts and scenes and visions that are scarcely imaginable. It is difficult even to even to try to remember moments during which nothing is considered, foreseen, or understood, when there is nothing under a steel helmet but an astonishingly empty head and a pair of eyes which translate nothing more than would the eyes of an animal facing mortal danger. There is nothing but the rhythm of explosions, more or less distant, more or less violent, and the cries of madmen, to be classified later, according to the outcome of the battle, as the cries of heroes or of murderers. And there are the cries of the wounded, of the agonizingly dying, shrieking as they stare at a part of their body reduced to pulp, the cries of men touched by the shock of battle before everybody else, who run in any and every direction, howling like banshees. There are the tragic, unbelievable visions, which carry from one moment of nausea to another: guts splattered across the rubble and sprayed from one dying man to another; tightly riveted machines ripped like the belly of a cow which has just been sliced open, flaming and groaning; trees broken into tiny fragments; gaping windows pouring out torrents of billowing dust, dispersing into oblivion all that remains of a comfortable parlor...
Not thou alone, but all humanity doth in its progress fable emulate. Whence came thy rocket-ships and submarine if not from Nautilus, from Cavorite? Your trustiest companions since the cave, we apparitions guided mankind's tread, our planet, unseen counterpart to thine, as permanent, as ven'rable, as true. On dream's foundation matter's mudyards rest. Two sketching hands, each one the other draws: the fantasies thou've fashioned fashion thee.
Those places where sadness and misery abound are favoured settings for stories of ghosts and apparitions. Calcutta has countless such stories hidden in its darkness, stories that nobody wants to admit they believe but which nevertheless survive in the memory of generations as the only chronicle of the past. It is as if the people who inhabit the streets, inspired by some mysterious wisdom, relalise that the true history of Calcutta has always been written in the invisible tales of its spirits and unspoken curses.
To the man of science, on his unassuming and laborious travels, which must often enough be journeys through the desert, there appear those glittering mirages called 'philosophical systems'; with bewitching deceptive power they show the solution of all enigmas and the freshest draught of the true water of life to be near at hand; his heart rejoices, and it seems to the weary traveller that his lips already touch the goal of all the perseverance and sorrows of the scientific life... Other natures again, may well grow exceedingly ill-humoured and curse the salty taste which these apparitions leave behind in the mouth and from which arises a raging thirst – without one having been brought so much as a step nearer to any kind of spring.
Although she continued to knit, and sat upright, it was thus that she felt herself; and this self having shed its attachments was free for the strangest adventures. When life sank down for a moment, the range of experience seemed limitless. And to everybody there was always this sense of unlimited resources, she supposed; one after another, she, Lily, Augustus Carmichael, must feel, our apparitions, the things you know us by, are simply childish. Beneath it is all dark, it is all spreading, it is unfathomably deep; but now and again we rise to the surface and that is what you see us by. Her horizon seemed to her limitless. There were all the places she had not seen; the Indian plains; she felt herself pushing aside the thick leather curtain of a church in Rome. This core of darkness could go anywhere, for no one saw it. They could not stop it, she thought, exulting. There was freedom, there was peace, there was, most welcome of all, a summoning together, a resting on a platform of stability.
Thomas Wolfe warned in the title of America’s great novel that ‘You Can’t Go Home Again.’ I enjoyed the book but I never agreed with the title. I believe that one can never leave home. I believe that one carries the shadows, the dreams, the fears and dragons of home under one’s skin, at the extreme corners of one’s eyes and possibly in the gristle of the earlobe.Home is that youthful region where a child is the only real living inhabitant. Parents, siblings, and neighbors, are mysterious apparitions, who come, go, and do strange unfathomable things in and around the child, the region’s only enfranchised citizen.[…]We may act sophisticated and worldly but I believe we feel safest when we go inside ourselves and find home, a place where we belong and maybe the only place we really do.
A night of full moon is favourable to tales of apparitions.
The sun was up, the room already too warm. Light filtered in through the net curtains, hanging suspended in the air, sediment in a pond. My head felt like a sack of pulp. Still in my nightgown, damp from some fright I'd pushed aside like foliage, I pulled myself up and out of my tangled bed, then forced myself through the usual dawn rituals - the ceremonies we perform to make ourselves look sane and acceptable to other people. The hair must be smoothed down after whatever apparitions have made it stand on end during the night, the expression of staring disbelief washed from the eyes. The teeth brushed, such as they are. God knows what bones I'd been gnawing in my sleep.
And then I recalled those mysterious stories about the waxworkers of the middle ages and the public reprobation attached to their trade. Did they not live in cellars, in the eternal twilight propitious for enchantments and apparitions? Their visionary art (who, more than they, evoked a truer image of life?) was closely related to that of magicians: bewitchments were carried out with wax figures, witch trials are full of them, and one particular legend haunted me above all, that of the modeler from Anspach, who slowly squeezed the soul and the life out of his model in order to animate his painted waxwork and then, having finished his work of art, awaited nightfall to go and bury the corpse in the ditch at the city walls.
A man who is awake in the open field at night or who wanders over silent paths experiences the world differently than by day. Nighness vanishes, and with it distance; everything is equally far and near, close by us and yet mysteriously remote. Space loses its measures. There are whispers and sounds, and we do not know where or what they are. Our feelings too are peculiarly ambiguous. There is a strangeness about what is intimate and dear, and a seductive charm about the frightening. There is no longer a distinction between the lifeless and the living, everything is animate and soulless, vigilant and asleep at once. What the day brings on and makes recognizable gradually, emerges out of the dark with no intermediary stages. The encounter suddenly confronts us, as if by a miracle: What is the thing we suddenly see - an enchanted bride, a monster, or merely a log? Everything teases the traveller, puts on a familiar face and the next moment is utterly strange, suddenly terrifies with awful gestures and immediately resumes a familiar and harmless posture.Danger lurks everywhere. Out of the dark jaws of the night which gape beside the traveller, any moment a robber may emerge without warning, or some eerie terror, or the uneasy ghost of a dead man - who knows what may once have happened at that very spot? Perhaps mischievous apparitions of the fog seek to entice him from the right path into the desert where horror dwells, where wanton witches dance their rounds which no man ever leaves alive. Who can protect him, guide him aright, give him good counsel? The spirit of Night itself, the genius of its kindliness, its enchantment, its resourcefulness, and its profound wisdom. She is indeed the mother of all mystery. The weary she wraps in slumber, delivers from care, and she causes dreams to play about their souls. Her protection is enjoyed by the un-happy and persecuted as well as by the cunning, whom her ambivalent shadows offer a thousand devices and contrivances. With her veil she also shields lovers, and her darkness keeps ward over all caresses, all charms hidden and revealed. Music is the true language of her mystery - the enchanting voice which sounds for eyes that are closed and in which heaven and earth, the near and the far, man and nature, present and past, appear to make themselves understood.But the darkness of night which so sweetly invites to slumber also bestows new vigilance and illumination upon the spirit. It makes it more perceptive, more acute, more enterprising. Knowledge flares up, or descends like a shooting star - rare, precious, even magical knowledge.And so night, which can terrify the solitary man and lead him astray, can also be his friend, his helper, his counsellor.
I reviewed in thought the modern era of raps and apparitions, beginning with the knockings of 1848, at the hamlet of Hydesville, N.Y., and ending with grotesque phenomena at Cambridge, Mass.; I evoked the anklebones and other anatomical castanets of the Fox sisters (as described by the sages of the University of Buffalo ); the mysteriously uniform type of delicate adolescent in bleak Epworth or Tedworth, radiating the same disturbances as in old Peru; solemn Victorian orgies with roses falling and accordions floating to the strains of sacred music; professional imposters regurgitating moist cheesecloth; Mr. Duncan, a lady medium's dignified husband, who, when asked if he would submit to a search, excused himself on the ground of soiled underwear; old Alfred Russel Wallace, the naive naturalist, refusing to believe that the white form with bare feet and unperforated earlobes before him, at a private pandemonium in Boston, could be prim Miss Cook whom he had just seen asleep, in her curtained corner, all dressed in black, wearing laced-up boots and earrings; two other investigators, small, puny, but reasonably intelligent and active men, closely clinging with arms and legs about Eusapia, a large, plump elderly female reeking of garlic, who still managed to fool them; and the skeptical and embarrassed magician, instructed by charming young Margery's "control" not to get lost in the bathrobe's lining but to follow up the left stocking until he reached the bare thigh - upon the warm skin of which he felt a "teleplastic" mass that appeared to the touch uncommonly like cold, uncooked liver. ("The Vane Sisters")
The world,’ he said, ‘grows hourly more and more sceptical of all that lies beyond its own narrow radius; and our men of science foster the fatal tendency. They condemn as fable all that resists experiment. They reject as false all that cannot be brought to the test of the laboratory or the dissecting-room. Against what superstition have they waged so long and obstinate a war, as against the belief of apparitions? And yet what superstition has maintained its hold upon the minds of men so long and so firmly? Show me any fact in physics, in history, in archaeology, which is supported by testimony so wide and so various. Attested by all races of men, in all ages, and in all climates, by the soberest sages of antiquity, by the rudest savage of today, by the Christian, the Pagan, the Pantheist, the Materialist, this phenomenon is treated as a nursery tale by the philosophers of our century. Circumstantial evidence weighs with them as a feather in the balance. The comparison of causes with effects, however valuable in physical science, is put aside as worthless and unreliable. The evidence of competent witnesses, however conclusive in a court of justice, counts for nothing. He who pauses before he pronounces is condemned as a trifler. He who believes, is a dreamer or a fool.
I was too much taken up with another interest to care; I felt beneath my feet the threshold of the strange door, in my life, which had suddenly been thrown open and out of which came an air of a keenness I had never breathed and of a taste stronger than wine. I had heard all my days of apparitions, but it was a different thing to have seen one and to know that I should in all likelihood see it familiarly, as I might say, again. I was on the lookout for it as a pilot for the flash of a revolving light and ready to generalise on the sinister subject, to answer for it to all and sundry that ghosts were much less alarming and much more amusing than was commonly supposed. There's no doubt that I was much uplifted. I couldn't get over the distinction conferred on me, the exception - in the way of mystic enlargement of vision - made in my favour.("Sir Edmund Orme")
GhostsTake shape under moonlight,materialize in dreams.Shadows. Silhouettesof what is no more. Butghosts don'tbother me. The day bringsbigger things to worry aboutthan flimsy remains ofyesterday. No, spooks don'tscare me.Gauzy apparitions mightprank your psyche oragitate your nightmares,but lackingflesh and bloodthey are powerlessto hurt you-cannot hopeto inflict the kind of damagethat real, livepeople do.
Mr. Edwards and the Spider"I saw the spiders marching through the air,Swimming from tree to tree that mildewed dayIn latter August when the hayCame creaking to the barn. But whereThe wind is westerly,Where gnarled November makes the spiders flyInto the apparitions of the sky,They purpose nothing but their ease and dieUrgently beating east to sunrise and the sea;What are we in the hands of the great God?It was in vain you set up thorn and briarIn battle array against the fireAnd treason crackling in your blood;For the wild thorns grow tameAnd will do nothing to oppose the flame;Your lacerations tell the losing gameYou play against a sickness past your cure.How will the hands be strong? How will the heart endure?A very little thing, a little worm,Or hourglass-blazoned spider, it is said,Can kill a tiger. Will the deadHold up his mirror and affirmTo the four winds the smellAnd flash of his authority? It’s wellIf God who holds you to the pit of hell,Much as one holds a spider, will destroy,Baffle and dissipate your soul. As a small boyOn Windsor Marsh, I saw the spider dieWhen thrown into the bowels of fierce fire:There’s no long struggle, no desireTo get up on its feet and flyIt stretches out its feetAnd dies. This is the sinner’s last retreat;Yes, and no strength exerted on the heatThen sinews the abolished will, when sickAnd full of burning, it will whistle on a brick.But who can plumb the sinking of that soul?Josiah Hawley, picture yourself castInto a brick-kiln where the blastFans your quick vitals to a coal—If measured by a glass,How long would it seem burning! Let there passA minute, ten, ten trillion; but the blazeIs infinite, eternal: this is death,To die and know it. This is the Black Widow, death.
Once upon a time, when men and women hurtled through the air on metal wings, when they wore webbed feet and walked on the bottom of the sea, learning the speech of whales and the songs of the dolphins, when pearly-fleshed and jewelled apparitions of Texan herdsmen and houris shimmered in the dusk on Nicaraguan hillsides, when folk in Norway and Tasmania in dead of winter could dream of fresh strawberries, dates, guavas and passion fruits and find them spread next morning on their tables, there was a woman who was largely irrelevant, and therefore happy.
There are species that retain their characteristics even in conditions that are relatively different from their natural ones; other species in similar circumstances instead become extinct; otherwise what takes place is racial mixing with other elements in which no assimilation or real evolution occurs. The result of this interbreeding closely resembles Mendel’s laws concerning heredity: once it disappears in the phenotype, the primitive element survives in the form of a separated, latent heredity that is capable of cropping up in sporadic apparitions, even though it is always endowed with a character of heterogeneity in regard to the superior type.
Sleep takes off the costume of circumstance arms us with terrible freedom so that every will rushes to deed. A skillful man reads his dreams for his self-knowledge yet not the details but the quality. What part does he play in them - a cheerful manly part or a poor drivelling part? However monstrous and grotesque their apparitions they have a substantial truth.
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