Inspirational quotes with antiquity.
Nobody understands the nature of the Church, or the ringing note of the creed descending from antiquity, who does not realize that the whole world once very nearly died of broadmindedness and the brotherhood of all religions.
We assert now that Being is the proper and sole theme of philosophy. This is not our own invention; it is a way of putting the theme which comes to life at the beginning of philosophy in antiquity, and it assumes its most grandiose form in Hegel's logic. At present we are merely asserting that Being is the proper and sole theme of philosophy. Negatively, this means that philosophy is not a science of beings but of Being or, as the Greek expression goes, ontology. We take this expression in the widest possible sense and not in the narrower one it has, say, in Scholasticism or in modern philosophy in Descartes and Leibniz.A discussion of the basic problems of phenomenology then is tantamount to providing fundamental substantiation for this assertion that philosophy is the science of Being and establishing how it is such. The discussion should show the possibility and necessity of the absolute science of Being and demonstrate its character in the very process of the inquiry. Philosophy is the theoretical conceptual interpretation of Being, of Being's structure and its possibilities. Philosophy is ontological." ―from_The Basic Problems of Phenomenology_
If I could forget you! Is my love then a work of memory? Even if time expunged everything from its tablets, expunged even memory itself, my relation to you would stay just as alive, you would still not be forgotten. If I could forget you! What then should I remember? For after all, I have forgotten myself in order to remember you: so if I forgot you I would come to remember myself; but the moment I remembered myself I would have to remember you again. If I could forget you! What would happen then? There is a picture from antiquity. It depicts Ariadne. She is leaping up from her couch and gazing anxiously after a ship that is hurrying away under full sail. By her side stands Cupid with unstrung bow and drying his eyes. Behind her stands a winged female figure in a helmet. It is usually assumed this is Nemesis. Imagine this picture, imagine it changed a little. Cupid is not weeping and his bow is not unstrung; or would you have become less beautiful, less victorious, if I had become mad? Cupid smiles and bends his bow. Nemesis does not stand inactive by your side; she too draws her bow. In that other picture we see a male figure on the ship, busily occupied. It is assumed it is Theseus. Not so in my picture. He stands on the stern, he looks back longingly, spreads his arms. He has repented, or rather, his madness has left him, but the ship carries him away. Cupid and Nemesis both aim at him, an arrow flies from each bow; their aim is true; one sees that, one understands, they have both hit the same place in his heart, a sign that his love was the Nemesis that wrought vengeance." ―Johannes de Silentio, from_Either/Or: A Fragment of Life_
Whether Hindus or Greeks, Egyptians or Japanese, Chinese, Sumerians, or ancient Americans -- or even Romans, the most "modern" among people of antiquity -- they all placed the Golden Age, the Age of Truth, the rule of Kronos or of Ra or of any other gods on earth -- the glorious beginning of the slow, downward unfurling of history, whatever name it be given -- far behind them in the past.
...the holy men sat in an atmospherereeking of antiquity, so thick with thedust of ages that you can't see through it--nor can they.
We have a long distance to travel,' said the Angel of Death to our friend Gil, as soon as they had left the Villa. 'I will order my chariot.' And he struck the ground with his foot. A hollow rumbling, like that which precedes an earthquake, sounded under the ground. Presently there rose round the two friends an ash-colored cloud of vapor, in the midst of which appeared a species of ivory chariot, resembling the chariots we see in the bas-reliefs of antiquity.A brief glance would have sufficed (we will not disguise the fact from out readers) to show that the chariot was not made of ivory, but solely and simply of human bones polished and joined together with exquisite skill, but retaining still their natural form.The Angel of Death gave his hand to Gil and they ascended the chariot, which rose into the air like the balloons of the present day, but with the difference that it was propelled by the will of its occupants. ("The Friend of Death")
Astrology is assured of recognition from psychology, without further restrictions, because astrology represents the summation of all the psychological knowledge of antiquity.
In the Middle Ages, as in antiquity, they read usually, not as today, principally with the eyes, but with the lips, pronouncing what they saw, and with the ears, listening to the words pronounced. hearing what is called the "voices of the pages." It is a real acoustical reading.
Doctrine once sown strikes deep its root, and respect for antiquity influences all men.
The idea of a method that contains firm, unchanging, and absolutely binding principles for conducting the business of science meets considerable difficulty when confronted with the results of historical research. We find, then, that there is not a single rule, however plausible, and however firmly grounded in epistemology, that is not violated at some time or other. It becomes evident that such violations are not accidental events, they are not results of insufficient knowledge or of inattention which might have been avoided. On the contrary, we see that they are necessary for progress. Indeed, one of the most striking features of recent discussions in the history and philosophy of science is the realization that events and developments, such as the invention of atomism in antiquity, the Copernican Revolution, the rise of modern atomism (kinetic theory; dispersion theory; stereochemistry; quantum theory), the gradual emergence of the wave theory of light, occurred only because some thinkers either decided not to be bound be certain 'obvious' methodological rules, or because they unwittingly broke them.
Considering thus how much honor is awarded to antiquity, and how many times—letting pass infinite other examples—a fragment of an ancient statue has been bought at high price because someone wants to have it near oneself, to honor his house with it, and to be able to have it imitated by those who delight in that art, and how the latter then strive with all industry to represent it in all their works; and seeing, on the other hand, that the most virtuous works the histories show us, which have been done by ancient kingdoms and republics, by kings, captains, citizens, legislators, and others who have labored for their fatherland, are rather admired than imitated—indeed they are so much shunned by everyone in every least thing that no sign of that ancient virtue remains with us—I can do no other than marvel and grieve… From this it arises that the infinite number who read [the histories] take pleasure in hearing of the variety of accidents contained within them without thinking of imitating them, judging that imitation is not only difficult but impossible—as if heaven, sun, elements, men had varied in motion, order, and power from what they were in antiquity. Wishing, therefore, to turn men from this error, I have judged it necessary to write on all those books of Titus Livy...
To be skeptical of the resultant text of the New Testament books is to allow all of classical antiquity to slip into obscurity, for no documents of the ancient period are as well attested bibliographically as the New Testament.
They know they dare not have their stuff stripped down to plain words. These Bishops and parsons with their beloved Christianity are like a man who has poisoned his wife and says her body's too sacred for a post-mortem. Nowadays, by the light we have, any ecclesiastic must be born blind or an intellectual rascal. Don't tell me. The world's had this apostolic succession of oily old humbugs from early Egypt onwards, trying to come it over people. Antiquity's no excuse. A sham is no better for being six thousand years stale. Christianity's no more use to us now thanthe Pyramids.
As once-colonized nations seek to stand on their own, the countries once denuded of their past seek to assert their independent identities through the objects that tie them to it. The demand for restitution is a way to reclaim history, to assert a moral imperative over those who were once overlords. Those countries still in the shadow of more powerful empires seek to claim the symbols of antiquity and colonialism to burnish their own national mythmaking.
Those who like to interpret historical facts symbolically may recognize in this the spirit of a specifically "modern" conception of the world which permits the subject to assert itself against the object as something independent and equal; whereas classical antiquity did not as yet permit the explicit formulation of this contrast; and whereas the Middle Ages believed the subject as well as the object to be submerged in a higher unity.
Every young sculptor seems to think that he must give the world some specimen of indecorous womanhood, and call it Eve, Venus, a Nymph, or any name that may apologize for a lack of decent clothing. I am weary, even more than I am ashamed, of seeing such things. Nowadays people are as good as born in their clothes, and there is practically not a nude human being in existence. An artist, therefore, as you must candidly confess, cannot sculpture nudity with a pure heart, if only because he is compelled to steal guilty glimpses at hired models. The marble inevitably loses its chastity under such circumstances. An old Greek sculptor, no doubt, found his models in the open sunshine, and among pure and princely maidens, and thus the nude statues of antiquity are as modest as violets, and sufficiently draped in their own beauty. But as for Mr. Gibson's colored Venuses (stained, I believe, with tobacco juice), and all other nudities of to-day, I really do not understand what they have to say to this generation, and would be glad to see as many heaps of quicklime in their stead.
Everyone who wants to know what will happen ought to examine what has happened: everything in this world in any epoch has their replicas in antiquity.
The geologist takes up the history of the earth at the point where the archaeologist leaves it, and carries it further back into remote antiquity.
Men always praise antiquity and fault the present, although not always reasonably, and they are partisans of things past such that not only do they celebrate those ages that they know from what historians have preserved of them, but also those that as old men they recall having seen in their youth. And if this opinion of theirs is false, as it is most of the time, I am persuaded that there are various causes that lead them into this deception.
Historians of technology have asked why no industrial revolution developed in antiquity. The simple answer seems to be that there was no need, that contemporary modes of production and the slave-based economy of the day satisfactorily maintained the status quo. The capitalist idea of profit as a desirable end to pursue was completely foreign to the contemporary mentality. So, too, was the idea that technology on a large scale could or should be harnessed to those ends. An industrial revolution was literally unthinkable in antiquity.
We may rifle the treasures of antiquity and make the heathen contribute to the gospel even as Hiram of Tyre served under Solomon's direction for the building of the Temple.
All the great groups that stood about the Cross represent in one way or another the great historical truth of the time; that the world could not save itself. Man could do no more. Rome and Jerusalem and Athens and everything else were going down like a sea turned into a slow cataract. Externally indeed the ancient world was still at its strongest; it is always at that moment that the inmost weakness begins. But in order to understand that weakness we must repeat what has been said more than once; that it was not the weakness of a thing originally weak. It was emphatically the strength of the world that was turned to weakness and the wisdom of the world that was turned to folly.In this story of Good Friday it is the best things in the world that are at their worst. That is what really shows us the world at its worst. It was, for instance, the priests of a true monotheism and the soldiers of an international civilisation. Rome, the legend, founded upon fallen Troy and triumphant over fallen Carthage, had stood for a heroism which was the nearest that any pagan ever came to chivalry. Rome had defended the household gods and the human decencies against the ogres of Africa and the hermaphrodite monstrosities of Greece. But in the lightning flash of this incident, we see great Rome, the imperial republic, going downward under her Lucretian doom. Scepticism has eaten away even the confident sanity of the conquerors of the world. He who is enthroned to say what is justice can only ask:‘What is truth?’ So in that drama which decided the whole fate of antiquity, one of the central figures is fixed in what seems the reverse of his true role. Rome was almost another name for responsibility. Yet he stands for ever as a sort of rocking statue of the irresponsible. Man could do no more. Even the practical had become the impracticable. Standing between the pillars of his own judgement-seat, a Roman had washed his hands of the world.
The Greeks made Space the subject-matter of a science of supreme simplicity and certainty. Out of it grew, in the mind of classical antiquity, the idea of pure science. Geometry became one of the most powerful expressions of that sovereignty of the intellect that inspired the thought of those times. At a later epoch, when the intellectual despotism of the Church, which had been maintained through the Middle Ages, had crumbled, and a wave of scepticism threatened to sweep away all that had seemed most fixed, those who believed in Truth clung to Geometry as to a rock, and it was the highest ideal of every scientist to carry on his science 'more geometrico.
Agnosticism, in fact, is not a creed, but a method, the essence of which lies in the rigorous application of a single principle. That principle is of great antiquity; it is as old as Socrates; as old as the writer who said, 'Try all things, hold fast by that which is good'; it is the foundation of the Reformation, which simply illustrated the axiom that every man should be able to give a reason for the faith that is in him, it is the great principle of Descartes; it is the fundamental axiom of modern science. Positively the principle may be expressed: In matters of the intellect, follow your reason as far as it will take you, without regard to any other consideration. And negatively: In matters of the intellect, do not pretend that conclusions are certain which are not demonstrated or demonstrable. That I take to be the agnostic position, which if a man keep whole and undefiled, he shall not be ashamed to look the universe in the face, whatever the future may have in store for him.The results of the working out of the agnostic principle will vary according to individual knowledge and capacity, and according to the general condition of science. That which is unproved today may be proved, by the help of new discoveries, tomorrow. The only negative fixed points will be those negations which flow from the demonstrable limitation of our faculties. And the only obligation accepted is to have the mind always open to conviction.That it is wrong for a man to say he is certain of the objective truth of a proposition unless he can provide evidence which logically justifies that certainty. This is what agnosticism asserts and in my opinion, is all that is essential to agnosticism.
To return to antiquity [in literature]: that has been done. To return to the Middle Ages: that too has been done. Remains the present day. But the ground is shaky: so where can you set the foundations? An answer to this question must be found if one is to produce anything vital and hence lasting. All this disturbs me so much that I no longer like to be spoken to about it.
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