Inspirational quotes with anathema.
Nuance is anathema to his thinking, which is why he can maintain such fidelity to his ideas in a-hundred-and-forty-character bursts.
In musical performances one can sense that the person on stage is having a good time even if they're singing a song about breaking up or being in a bad way. For an actor this would be anathema, it would destroy the illusion, but with singing one can have it both ways. As a singer, you can be transparent and reveal yourself on stage, in that moment, and at the same time be the person whose story is being told in the song. Not too many kinds of performance allow that.
The people we find truly anathema are the ones who reduce the past to caricature and distortit to fit their own bigoted stereotypes. We’ve gone to events that claimed to be historic fashionshows but turned out to be gaudy polyester parades with no shadow of reality behind them. Aswe heard our ancestors mocked and bigoted stereotypes presented as facts, we felt like we hadgone to an event advertised as an NAACP convention only to discover it was actually a minstrelshow featuring actors in blackface. Some so-called “living history” events really are that bigoted.When we object to history being degraded this way, the guilty parties shout that they are “justhaving fun.” What they are really doing is attacking a past that cannot defend itself. Perhapsthey are having fun, but it is the sort of fun a schoolyard brute has at the expense of a child whogoes home bruised and weeping. It’s time someone stood up for the past.I have always hated bullies. The instinct to attack difference can be seen in every socialspecies, but if humans truly desire to rise above barbarism, then we must cease acting like beasts.The human race may have been born in mud and ignorance, but we are blessed with mindssufficiently powerful to shape our behavior. Personal choices form the lives of individuals; thesum of all interactions determine the nature of societies.At present, it is politically fashionable in America to tolerate limited diversity based aroundrace, religion, and sexual orientation, yet following a trend does not equate with being trulyopen-minded. There are people who proudly proclaim they support women’s rights, yet have anappallingly limited definition of what those rights entail. (Currently, fashionable privileges arevoting, working outside the home, and easy divorce; some people would be dumbfounded at theidea that creating beautiful things, working inside the home, and marriage are equally desirablerights for many women.) In the eighteenth century, Voltaire declared, “I disagree with what yousay but I will fight to the death for your right to say it.”3 Many modern Americans seem to haveperverted this to, “I will fight to the death for your right to agree with what I say.”When we stand up for history, we are in our way standing up for all true diversity. When wequestion stereotypes and fight ignorance about the past, we force people to question ignorance ingeneral.
An acre of poppies and a forest of spruce boggle no one’s mind. Even ten square miles of wheat gladdens the hearts of most . . . No, in the plant world, and especially among the flowering plants, fecundity is not an assault on human values. Plants are not our competitors; they are our prey and our nesting materials. We are no more distressed at their proliferation than an owl is at a population explosion among field mice . . . but in the animal world things are different, and human feelings are different . . . Fecundity is anathema only in the animal. "Acres and acres of rats" has a suitably chilling ring to it that is decidedly lacking if I say, instead, "acres and acres of tulips".
In time, Mr Hall, one gets to recognize that sneer, that hardness, for fornication extends far beyond the actual deed. Were it a deed only, I for one would not hold it anathema. But when the nations went a whoring they invariably ended by denying God, I think, and until all sexual irregularities and not some of them are penal the Church will never reconquer England.
Keynes was a voracious reader. He had what he called ‘one of the best of all gifts – the eye which can pick up the print effortlessly’. If one was to be a good reader, that is to read as easily as one breathed, practice was needed. ‘I read the newspapers because they’re mostly trash,’ he said in 1936. ‘Newspapers are good practice in learning how to skip; and, if he is not to lose his time, every serious reader must have this art.’ Travelling by train from New York to Washington in 1943, Keynes awed his fellow passengers by the speed with which he devoured newspapers and periodicals as well as discussing modern art, the desolate American landscape and the absence of birds compared with English countryside.54‘As a general rule,’ Keynes propounded as an undergraduate, ‘I hate books that end badly; I always want the characters to be happy.’ Thirty years later he deplored contemporary novels as ‘heavy-going’, with ‘such misunderstood, mishandled, misshapen, such muddled handling of human hopes’. Self-indulgent regrets, defeatism, railing against fate, gloom about future prospects: all these were anathema to Keynes in literature as in life. The modern classic he recommended in 1936 was Forster’s A Room with a View, which had been published nearly thirty years earlier. He was, however, grateful for the ‘perfect relaxation’ provided by those ‘unpretending, workmanlike, ingenious, abundant, delightful heaven-sent entertainers’, Agatha Christie, Edgar Wallace and P. G. Wodehouse. ‘There is a great purity in these writers, a remarkable absence of falsity and fudge, so that they live and move, serene, Olympian and aloof, free from any pretended contact with the realities of life.’ Keynes preferred memoirs as ‘more agreeable and amusing, so much more touching, bringing so much more of the pattern of life, than … the daydreams of a nervous wreck, which is the average modern novel’. He loved good theatre, settling into his seat at the first night of a production of Turgenev’s A Month in the Country with a blissful sigh and the words, ‘Ah! this is the loveliest play in all the world.’55Rather as Keynes was a grabby eater, with table-manners that offended Norton and other Bloomsbury groupers, so he could be impatient to reach the end of books. In the inter-war period publishers used to have a ‘gathering’ of eight or sixteen pages at the back of their volumes to publicize their other books-in-print. He excised these advertisements while reading a book, so that as he turned a page he could always see how far he must go before finishing.A reader, said Keynes, should approach books ‘with all his senses; he should know their touch and their smell. He should learn how to take them in his hands, rustle their pages and reach in a few seconds a first intuitive impression of what they contain. He should … have touched many thousands, at least ten times as many as he reads. He should cast an eye over books as a shepherd over sheep, and judge them with the rapid, searching glance with which a cattle-dealer eyes cattle.’ Keynes in 1927 reproached his fellow countrymen for their low expenditure in bookshops. ‘How many people spend even £10 a year on books? How many spend 1 per cent of their incomes? To buy a book ought to be felt not as an extravagance, but as a good deed, a social duty which blesses him who does it.’ He wished to muster ‘a mighty army … of Bookworms, pledged to spend £10 a year on books, and, in the higher ranks of the Brotherhood, to buy a book a week’. Keynes was a votary of good bookshops, whether their stock was new or second-hand. ‘A bookshop is not like a railway booking-office which one approaches knowing what one wants. One should enter it vaguely, almost in a dream, and allow what is there freely to attract and influence the eye. To walk the rounds of the bookshops, dipping in as curiosity dictates, should be an afternoon’s entertainment.
But you can't just leave it at that!" said Anathema, pushing forward. "Think of all things you could do! Good things.""Like what?" said Adam suspiciously."Well... you could bring all the whales back, to start with."He put his head on one side. "An' that'd stop people killing them?"She hesitated. It would have been nice to say yes."An' if people do start killing 'em, what would you ask me to do about 'em?" said Adam. "No. I reckon I'm getting the hang of this now. Once I start messing around like that, there'd be no stoppin' it. Seems to me, the only sensible thing is for people to know if they kill a whale, they've got a dead whale.
I was banished,” said Reven proudly.“What for?” Elfwyn pressed.“The king said I was anathema.”“He doesn’t like athemas?”“Anathema means, like, accursed,” said Jinx. “Probably it was for robbing people.
I apologize to my priestess. I underestimated her. I equated her with the global media, which is where I found those easily digestible raw materials for my banal and bourgeois account of My Life with Poor Terminal Celestine. There are so many blogs and articles in the 'Living' sections of online newspapers pouring out the synthetic emotions and the mundane details and the shocking bodily consequences of any disease you can think of or even invent. Honestly, Celestine and I felt we had to fully understand the phenomenon of the internet, because consumerism and the internet had fused, they had become one thing, even though on a certain level it was anathema to us, noxious to the strange, introverted, and, yes, relentlessly snob personal culture we had spent years developing together. But also we realized we needed the net in order to understand what was the basic human condition, what a current human being really was, because we had lost touch with that, our students made that clear to us, and so we were also using the internet to research our roles playing normal human beings.
Robert Neville looked out over the new people of the earth. He knew he did not belong to them; he knew that, like the vampires, he was anathema and black terror to be destroyed. And, abruptly, the concept came, amusing to him even in his pain. ... Full circle. A new terror born in death, a new superstition entering the unassailable fortress of forever. I am legend.
Like so many others of my tenure and temperament—stubborn ancients, I suppose—web reporting is anathema to everything I love about newspapering: getting a tip, developing leads, fleshing-out the details, then telling the story. Now it stops with the tip. Just verify (hopefully!) and post it. I didn’t write stories anymore; I 'produced content.
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