Inspirational quotes with adept.
It is often argued that religion is valuable because it makes men good, but even if this were true it would not be a proof that religion is true. That would be an extension of pragmatism beyond endurance. Santa Claus makes children good in precisely the same way, and yet no one would argue seriously that the fact proves his existence. The defense of religion is full of such logical imbecilities. The theologians, taking one with another, are adept logicians, but every now and then they have to resort to sophistries so obvious that their whole case takes on an air of the ridiculous. Even the most logical religion starts out with patently false assumptions. It is often argued in support of this or that one that men are so devoted to it that they are willing to die for it. That, of course, is as silly as the Santa Claus proof. Other men are just as devoted to manifestly false religions, and just as willing to die for them. Every theologian spends a large part of his time and energy trying to prove that religions for which multitudes of honest men have fought and died are false, wicked, and against God.
I have come to see this fear, this sense of my own imperilment by my creations, as not only an inevitable, necessary part of writing fiction but as virtual guarantor, insofar as such a thing is possible, of the power of my work: as a sign that I am on the right track, that I am following the recipe correctly, speaking the proper spells. Literature, like magic, has always been about the handling of secrets, about the pain, the destruction and the marvelous liberation that can result when they are revealed. Telling the truth, when the truth matters most, is almost always a frightening prospect. If a writer doesn’t give away secrets, his own or those of the people he loves; if she doesn’t court disapproval, reproach and general wrath, whether of friends, family, or party apparatchiks; if the writer submits his work to an internal censor long before anyone else can get their hands on it, the result is pallid, inanimate, a lump of earth. The adept handles the rich material, the rank river clay, and diligently intones his alphabetical spells, knowing full well the history of golems: how they break free of their creators, grow to unmanageable size and power, refuse to be controlled. In the same way, the writer shapes his story, flecked like river clay with the grit of experience and rank with the smell of human life, heedless of the danger to himself, eager to show his powers, to celebrate his mastery, to bring into being a little world that, like God’s, is at once terribly imperfect and filled with astonishing life.Originally published in The Washington Post Book World
We didn't, after all, sing "Another One Bites The Dust" as the coffin was carried out; Hazel and the vicar had settled instead on the more traditional "How Great Thou Art". And Aunty Rose's old adversary the mayor was pressed into service as a coffin bearer to replace Matt.Rose Adele Thornton, born in Bath, England, died in Waimanu, New Zealand, a mere fifty-three years later. Adept and compassionate nurse, fervent advocate of animal welfare, champion of correct diction and tireless crusader against the misuse of apostrophes. Experimental chef, peerless aunt, brave sufferer and true friend. She had the grace and courage to thoroughly enjoy a life which denied her everything she most wanted. The bravest woman I ever knew.
There are occult Esoteric Metaphysics (the secret and most confidential aspect of occult teachings) and Mystical Sciences practiced by mystical adepts, Living Grand Masters. This is the cosmological verdict of the Order of Astral and Terrestrial Hierarchy universal occult recognition. Exoteric is public occult teachings. An Adept uses the Technique of the Master. Hell is called After-Life-Hallucination. There are entities, spirits, demons, demi-gods, Archangels and other names for evil beings. A Guru is a spiritual Master.
In literature the ambition of the novice is to acquire the literary language the struggle of the adept is to get rid of it.
We teach our children one thing only, as we were taught: to wake up. We teach our children to look alive there, to join by words and activities the life of human culture on this planet's crust. As adults we are almost all adept at waking up. We have so mastered the transition we make a hundred times a day, as, like so many will-less dolphins, we plunge and surface, lapse and emerge. We live half our waking lives and all of our sleeping lives in some private, useless, and insensible waters we never mention or recall. Useless, I say. Valueless, I might add — until someone hauls their wealth up to the surface and into the wide-awake city, in a form that people can use.
The abiding western dominology can with religion sanction identify anything dark, profound, or fluid with a revolting chaos, an evil to be mastered, a nothing to be ignored. 'God had made us master organizers of the world to establish system where chaos reigns. He has made us adept in government that we may administer government among savages and senile peoples.' From the vantage point of the colonizing episteme, the evil is always disorder rather than unjust order; anarchy rather than control, darkness rather than pallor. To plead otherwise is to write 'carte blanche for chaos.' Yet those who wear the mark of chaos, the skins of darkness, the genders of unspeakable openings -- those Others of Order keep finding voice. But they continue to be muted by the bellowing of the dominant discourse.
Education, from Addams' perspective, must not merely make us more adept at defending ourselves against those with different agendas. Education should increase our powers of empathy and our ability to act in concert with others.
Devote the mind to confusion and we know only too well, if we´re honest, that it will become a dark master of confusion, adept in its addictions, subtle and perversely supple in its slaveries. Devote it in meditation to the task of freeing itself from illusion, and we will find that, with time, patience, discipline, and the right training, our mind will begin to unknot itself and know its essential bliss and clarity.
The secret of seeing is, then the pearl of great price. If I thought he could teach me to find it and keep it forever I would stagger barefoot across a hundred deserts after any lunatic at all. But although the pearl may be found, it may not be sought. The literature of illumination reveals this above all: although it comes to those who wait for it, it is always, even to the most practiced and adept, a gift and a total surprise. I return from one walk knowing where the killdeer nests in the field by the creek and the hour the laurel blooms. I return form the same walk a day later scarcely knowing my own name. Litanies hum in my ears; my tongue flaps in my mouth. Ailinon, alleluia!
Lying," he said out loud, hoping no one would hear. "I need to lie. Teach me, quickly."I wouldn't if I were you, came the response. For a start, it's a variable concept here. You are in a culture where ambiguity has been raised to a high level. Let me give an example: depending on phrasing, circumstance, expression, body movement, intonation and context, the statement "I love you" can mean I love you; I don't love you; I hate you; I want to have sex with you; I do, in fact, love your sister; I don't love you any more; leave me alone, I'm tired, or I'm sorry I forgot your birthday. The person being talked to would instantly understand the meaning but might choose to attribute an entirely different meaning to the statement. Lying is a social act and the nature and import of the lie depends in effect on an unspoken agreement between the parties concerned. Please note that this description does not even begin to explore the concept of deep lies, in which the speaker simultaneously says something he knows to be untrue and genuinely believes it nonetheless: politicians are particularly adept at this.
All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down. The lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild? The same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played. The thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.” A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom. I was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia.
In listening lies great power.Many are expert in speaking (while everyone hears), adept in analyzing in bits and pieces, very prompt in commenting, and always ready to stamp judgement of 'right' or 'wrong'.Very few are skilled in listening, first, with the ears and, then, with the heart. Those who do hold true, sustainable, and great power.
When we make appreciation the central theme of our value system, then all the painful elements of our past become meaningful lessons we could not have done without. Acceptance becomes natural when we become adept at finding the silver lining, even in the most challenging circumstances.
The more formidable the contradiction between inexhaustible life-joy and inevitable fate, the greater the longing which reveals itself in the kingdom of poetry and in the self-created world of dreams hopes to banish the dark power of reality. The gods enjoy eternal youth, and the search for the means of securing it was one of the occupations of the heroes of mythology and the sages, as it was of real adventurers in the middle ages and more recent times. . . . But the fountain of youth has not been found, and can not be found if it is sought in any particular spot on the earth. Yet it is no fable, no dream-picture; it requires no adept to find it: it streams forth inexhaustible in all living nature.
There are a lot of ways for a novelist to create suspense, but also really only two: one a trick, one an art.The trick is to keep a secret. Or many secrets, even. In Lee Child’s books, Jack Reacher always has a big mystery to crack, but there are a series of smaller mysteries in the meantime, too, a new one appearing as soon as the last is resolved. J. K. Rowling is another master of this technique — Who gave Harry that Firebolt? How is Rita Skeeter getting her info?The art, meanwhile, the thing that makes “Pride and Prejudice” so superbly suspenseful, more suspenseful than the slickest spy novel, is to write stories in which characters must make decisions. “Breaking Bad” kept a few secrets from its audience, but for the most part it was fantastically adept at forcing Walter and Jesse into choice, into action. The same is true of “Freedom,” or “My Brilliant Friend,” or “Anna Karenina,” all novels that are hard to stop reading even when it seems as if it should be easy.
Those of us who work in the field of trauma and abuse, whether psychologists, psychoanalysts, social workers, doctors, counselors, or psychotherapists, have been provided with beautiful tools for understanding the impact of trauma. We become adept at understanding the dynamic of why the messenger is always shot and broadcast the Bionic insight of why the visionary is not bearable to the group.However, when it comes to military mind control, abuse within religious belief groups or cults, and deliberately created dissociative identity disorder, we enter the least resourced field of all.
Man is adept at navigating the globe and beyond - yet doubt finding his own destiny
The twin aspects of genius, the passive and the active, are possessed by the fully realized artist; they also form the necessary equipment of the Adept. Yet in very few people are these twin aspects manifested. Nearly everyone has a capacity for the passive aspect, which involves some sort of appreciation of aesthetic values. There are few people totally unresponsive to the beauties of nature, and none at all that is not responsive to its ferocious manifestations.Fewer are able to respond profoundly to the beauty of natural phenomena, and fewer still to so-called works of art. It takes a degree of genius to respond to such manifestations the whole time. Artists in this category are among the saints, some of whom thrilled with rapture at the constant awareness of the total unity, harmony, and beauty of things.Such were Boehme, Ramakrishna, etc. Some yogis are immersed in an unsullied and vibrant bliss derived from the incessant contemplation of this 'world-bewitching maya'4-the breath-taking wonder of the great and glamorous illusion which surrounds us.On the other side of the fence, on the side of active or creative genius, there are yet fewer. Active or creative genius means nothing less than the ability to translate the wonder or the terror of the great lfla (the great play of life) in terms of visual, tactile, audible, olfactory, or some other sensual presentation of phenomena.But there is a third aspect of genius which is yet more rare. It is the ability to open the door of the theatre and admit the influences from outside, from the swarming gulfs beyond the grasp of the mind, and accessible only to the magical entity whose fantastic feelers can snare the most fugitive impulses as they flash through the holes in space, the kinks in time, to be reflected in the magic mirror of the artist's mind.
Emma convinced herself she'd lost him because she was fast. She was also adept at convincing herself of things that might not be - good at pretending. She could pretend she took classes at night by choice, and that blushing didn't make her thirsty-- A vicious growl sounded. Her eyes widened, but she didn't turn back, just sprinted across the field. She felt claws sink into her anckle a second before she was dragged to the muddy ground and thrown onto her back. A hand covered her mouth, though she'd been trained not to scream."Never run from one such as me." Her attacker didn't sound human. "You will no' get away. And we like it." His voice was guttural like a beast's, breaking, yet his accent was... Scottish?
The sick person becomes very adept at distinguishing between compassion and pity. Compassion is someone else’s suffering flaring in your own nerves. Pity is a projection of, a lament for, the self. All those people weeping in the mirror of your misery? Their tears are real, but they are not for you.
There are extremes within any population, but on average, at least among young adults, those who feel lonely actually spend no more time alone than do those who feel more connected. They are no more or less physically attractive than average, and they do not differ, on average, from the non-lonely in terms of height, weight, age, education, or intelligence. Most important, when we look at the broad continuum (rather than just the extremes) of people who feel lonely, we find that they have the capacity to be just as socially adept as anyone else. Feeling lonely does not mean that we have deficient social skills.
She’s a lean vixen: I can seethe ribs, the slytrickster’s eyes, filled with longing and desperation, the skinnyfeet, adept at lies.Why encourage the notionof virtuous poverty?It’s only an excusefor zero charity.Hunger corrupts, and absolute hungercorrupts absolutely,
Thousands of uninstructed Christians are being deceived today.False teachers use high-sounding wordsthat seem like the epitome of scholarship and culture. They are intellectually clever and crafty . . .adept at beguiling thoughtless, untaught men and women.
She seems to always get itTo have become adept at empathyAlways giving excuses for people who’ve aggrieved herTo the point it’s hard for her to hit back when necessary All because she assumes she ‘understands’Then, one day . . .She finally stands up for herselfAt that moment, she revels in the natural instinct of self-preservationShe realises all this while the power she’s been withholdingIn a transcendent moment of epiphanyIt’s all beautiful ‘causeNow, she can get back to empathy with understanding, rather, than without.
Feel free to write to us if you have any questions. But before you do so, please take a look on our page with Frequently Asked Questions (FAQ) and even our sitemap to get a full overview of the content on our site.