Inspirational quotes with actor.
Any actor who tells you that they have become the people they play, unless they’re clearly diagnosed as a schizophrenic, is bullshitting you.
You must become the producer, director and actor in the unfolding story of your life.
When singers, actors or artists touch on sorrow, they are trying to give comfort to aggrieved souls by giving some meaning to their sorrows. The job of the singer, actor or artists ,in general, is to make us comfortable with our feelings or emotions―be it pain, hurt, anger, hatred, sadness, pleasure, love, cheerfulness or joy.
Me, well, there is meaning to the work and things I've done. But I never started an exercise revolution. I never became controversial because of my political beliefs. I don't believe I've affected change on a grand scale. I think I made a contribution. I know I've made people laugh. Through characters I have played, I've certainly allowed people to access their own expression of sadness or remorse, anger or disappointment. I've always believed that being an actor is a great service job. And I am of service. But it's just a job. So much of the glitz and fame, I can't even remember. I have blank spots where spotlights have been. It's easier for me to remember the ordinary goings-on of my life, because that's what my life is most of the time. It's just a life. Mine, like yours, has moaned and groaned. Stretched and turned. Sometimes good, oftentimes bad. People up and gone, love found and thrown away. Many moments make up a life. I am surprised by how many of my fame moments are blank spots. The volume turned down. Fame wants to turn up the volume on everything. It wears me out and intrudes on my need for solitude.
Despite the chaos that was tearing her head apart, Tevi understood what scene Yenneg was attempting to play out, with herself as a conscripted actor. She needed to force out an explanation or denial, but no words could get past her lips. Jemeryl's presence was paralysing her, an effect far more irresistible than anything Yenneg had achieved.Tevi watched Jemeryl take another few steps forwards and then crouch down so that their eyes were no more than a foot apart. Tevi thought she would die from the shock. Yet somehow, she forced her mouth to shape the words, "Wine. Love potion."Her voice was not loud enough even to count as a whisper. Certainly nobody else in the room would have heard, yet Tevi could not control her breathing to manage anything else.At first Jemeryl showed no sign of comprehension, but then suddenly, the bewilderment on her face transformed into fury. She leapt up, her arms moving in a blurred aggressive swirl. The gesture ended with an action like hurling a ball. Blue fire erupted from Jemeryl's hands and shot towards Yenneg.The other sorcerer had obviously recognised the gesture and made an effort to protect himself. A shimmering shield sprung up before Yenneg, but it was not strong enough, and the shockwave knocked him off his feet. His shoulders slammed into the wall behind him and he crumpled to the floor. Jemeryl had been telling the truth when she claimed to vastly excel the acolytes in magical ability, not that Tevi had ever entertained doubts. Jemeryl's hands moved again, and this time Yenneg was sprawled on the floor and in no state to mount a defence. A second bolt of blue fire burst in his direction.Lightning in the form of a whip snapped across the room, intercepting Jemeryl's attack before it struck. The diverted fireball hit the wall of the summerhouse two feet from Yenneg's head and smashed through it, as if it were a stone going through wet paper.
He would never be any different and now Scarlett realize the truth and accepted it without emotion—that until he died Gerald would always be waiting for Ellen, always listening for her. Her was in some dim borderline country where time was standing still and Ellen was always in the next room. The mainspring of his existence was taken away when she died and with it has gone his bounding assurance, his impudence and his restless vitality. Ellen was the audience before which the blustering drama of Gerald O'Hara had been played Now the curtain had been rung down forever, the footlights dimmed and the audience suddenly vanished, while the stunned old actor remained on his empty stage, waiting for his cues.
It's like Romeo & Juliet,' I say. 'You can't separate them. Otherwise, there would be no Shakespeare.' Silence. I decide to be more straightforward. I tell him, 'Nothing frightens me anymore. I am not even afraid to die.' Bussey's eyes, already wide open, grow even wider. My death is the last thing he needs. I have the strange feeling that there are two of me. One observes the conversation while the other does the talking. Everything is abnormal, especially this extreme calm that has taken me over. I try to explain to Bussey that if I decide to die, it will be without bitterness. I know I did everything I possibly could, so it will be respectful farewell. I will bow to life like an actor, who, having delivered his lines, bends deeply to his audience & retires. I tell Bussey that this decision has nothing to do with him, that it is entirely mine. I will choose either to live or to die, but I cannot allow myself to live in the in-between. I do not want to go through life like a ghost. 'Do you think you'll find Danny this way?' Bussey asks. My mind sifts through all available theories on the afterlife. It is as if this metaphysical question has become as real as the air we breathe. Buddhism teaches that life is an eternal cycle without beginning or end. I recall the metaphor: "Our individual lives are like waves produced from the great ocean that is the universe. The emergence of a wave is life, and its abatement is death. This rhythm repeats eternally." Finally I answer Bussey, 'No, I don't think so.' Bussey seems relieved, but I'm more panicky, because I had never thought that I could wind up alone. In my mind, whatever the odds, Danny & I were & would be together forever.
As a writer, I am just an actor in a play, telling a story that needs to be told.
You know who I pray to? Joe Pesci. Two reasons: First of all, I think he's a good actor, okay? To me, that counts. Second, he looks like a guy who can get things done. Joe Pesci doesn't fuck around. In fact, Joe Pesci came through on a couple of things that God was having trouble with.
Mahound comes to me for revelation, asking me to choose between monotheist and henotheist alternatives, and I'm just some idiot actor having a bhaenchud nightmare, what the fuck do I know, yaar, what to tell you, help. Help.
In the movies, God is an actor just like everyone else.
And whenever any one informs us that he has found a man who knows all the arts, and all things else that anybody knows, and every single thing with a higher degree of accuracy than any other man –whoever tells us this, I think that we can only imagine him to be a simple creature who is likely to have been deceived by some wizard or actor whom he met, and whom he thought all-knowing, because he himself was unable to analyze the nature of knowledge and ignorance and imitation.
You have to be an Actor to face life not the camera.
Mostly what you lose with time, in memory, is the specificity of things, their exact sequence. It all runs together, becomes a watery soup. Portmanteau days, imploded years. Like a bad actor, memory always goes for effect, abjuring motivation, consistency, good sense.
Every one of us has been called to be an actor in the drama of life and everyone has a role to play as well.
I don’t have any regrets,” a famous movie actor said in an interview I recently witnessed. “I’d live everything over exactly the same way.” “That’s really pathetic,” the talk show host said. “Are you seeking help?” “Yeah. My shrink says we’re making progress. Before, I wouldn’t even admit that I would live it all over,” the actor said, starting to choke up. “I thought one life was satisfying enough.” “My God,” the host said, cupping his hand to his mouth. “The first breakthrough was when I said I would live it over, but only in my dreams. Nocturnal recurrence.” “You’re like the character in that one movie of yours. What’s it called? You know, the one where you eat yourself.”“The Silence of Sam.”“That’s it. Can you do the scene?”The actor lifts up his foot to stick it in his mouth. I reach over from my seat and help him to fit it into his bulging cheeks. The audience goes wild.
Alex the waiter was on my Spank Naughty list in third place, right after Henry Calvill the actor, then Henry Calvill as Superman. He was proof that God existed, and that God loved straight women.
I look around, hoping I can postpone the indignity of stuttering like a lunatic in front of the sexiest man alive – according to People magazine, twice – while giving him crazy eyes. Of course, everyone looks like they’re taken care of. Except for Mr. Sexypants, major Hollywood actor, Nathanial Stone, Sir.
If you want to be a good actor or director, firstly see life, secondly see films and thirdly read books!
Scarlett, I don't know just when it was that the bleak realization came over me that my own private shadow show was over. Perhaps in the first five minutes at Bull Run when I saw the first man I killed drop to the ground. But I knew it was over and I could no longer be a spectator. No, I suddenly found myself on the curtain, an actor, posturing and making futile gestures. My little inner world was gone, invaded by people whose thoughts were not my thoughts, whose actions were as alien as a Hottentot's. They'd tramped through my world with slimy feet and there was no place left where I could take refuge when things became too bad to stand. When I was in prison, I thought: When the war is over, I can go back to the old life and the old dreams and watch the shadow show again. But, Scarlett, there's no going back. And this which is facing all of us now is worse than war and worse than prison—and, to me, worse than death.... So, you see, Scarlett, I'm being punished for being afraid.
You are the actor, director, producer, and scriptwriter of the play called ‘Your Life’ and you can change the play anytime.
However gross a man may be, the minute he expresses a strong and genuine affection, some inner secretion alters his features, animates his gestures, and colors his voice. The stupidest man will often, under the stress of passion, achieve heights of eloquence, in thought if not in language, and seem to move in some luminous sphere. Goriot's voice and gesture had at this moment the power of communication that characterizes the great actor. Are not our finer feelings the poems of the human will?
-“Forced love hurts God.” -“How can you hurt something that doesn’t exist?”-“At the end of our lives it is our loves we remember most because they are what shaped us. We have grown to be who we are around them, as around a stake.”- “I was once so open to the world it hurts”- “Act natural is the worst thing you can say to an actor. They simply forget how to be.”-“Until the first thing they learn are the last thing they forget.” -“It wasn’t just talking back to him, it was the confidence to be calm doing it.”-“The fact that the nation has gone to war does not make those who opposed it at the beginning, and those who oppose it now, traitors.”-“This beauty is a force, and it will never lose.”-“how a cause cements two people, masks their differences as secondary to the purpose at hand”-
I spent hours apart by myself, taking stock of where I stood, mentally, on this my thirtieth birthday. It came to me queerly how, four years ago, I had meant to be a general and knighted, when thirty. Such temporal dignities were now in my grasp, only that my sense of falsity of the Arab position had cured me of crude ambition: while it left me craving for good repute among men. This craving made me profoundly suspect my truthfulness to myself. Only too good an actor could so impress his favorable opinion. Here were the Arabs believing me, Allenby and Clayton trusting me, my bodyguard dying for me: and I began to wonder if all established reputations were founded, like mine, on fraud.
I suppose it is submerged realities that give to dreams their curious air of hyper-reality. But perhaps there is something else as well, something nebulous, gauze-like, through which everything one sees in a dream seems, paradoxically, much clearer. A pond becomes a lake, a breeze becomes a storm, a handful of dust is a desert, a grain of sulphur in the blood is a volcanic inferno. What manner of theater is it, in which we are at once playwright, actor, stage manager, scene painter and audience?
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