Quotes in the category modernism.
But this wealth of information produced little or no insight.
Anya looked upon Nin admirably. Having him as a partner-in-crime—if only on this one occasion, which she hoped would only be the start of something more—was more revitalizing than the cheap thrills of a cookie-cutter shallow, superficial romance, where the top priority was how beautiful a person was on the outside.
Before this generation lose the wisdom, one advice - read books.
...if you do not even understand what words say,how can you expect to pass judgementon what words conceal?
In the glad old days, before the rise of modern morbidities...it used to be thought a disadvantage to be misunderstood.
For those whose ganglia were formed pre-TV, the mimetic deployment of pop-culture icons seems at best an annoying tic and at worst a dangerous vapidity that compromises fiction's seriousness by dating it out of the Platonic Always, where it ought to reside.
The melancholy of the antique world seems to me more profound than that of the moderns, all of whom more or less imply that beyond the dark void lies immortality. But for the ancients that ‘black hole’ is infinity itself; their dreams loom and vanish against a background of immutable ebony. No crying out, no convulsions—nothing but the fixity of the pensive gaze.With the gods gone, and Christ not yet come, there was a unique moment, from Cicero to Marcus Aurelius, when man stood alone. Nowhere else do I find that particular grandeur.
Finally, the functionalist organization, by privileging progress (i.e. time), causes the condition of its own possibility--space itself--to be forgotten: space thus becomes the blind spot in a scientific and political technology. This is the way in which the Concept-city functions: a place of transformations and appropriations, the object of various kinds of interference but also a subject that is constantly enriched by new attributes, it is simultaneously the machinery and the hero of modernity.
For instance? Well, for instance, what it means to be a man. In a city. In a century. In transition. In a mass. Transformed by science. Under organized power. Subject to tremendous controls. In a condition caused by mechanization. After the late failure of radical hopes. In a society that was no community and devalued the person. Owing to the multiplied power of numbers which made the self negligible. Which spent military billions against foreign enemies but would not pay for order at home. Which permitted savagery and barbarism in its own great cities. At the same time, the pressure of human millions who have discovered what concerted efforts and thoughts can do. As megatons of water shape organisms on the ocean floor. As tides polish stones. As winds hollow cliffs. The beautiful supermachinery opening a new life for innumerable mankind. Would you deny them the right to exist? Would you ask them to labor and go hungry while you yourself enjoyed old-fashioned Values? You—you yourself are a child of this mass and a brother to all the rest. or else an ingrate, dilettante, idiot. There, Herzog, thought Herzog, since you ask for the instance, is the way it runs.
But do you imagine there’s a certain type of person in the world who conforms to the idea of a ‘bad person'? You’ll never find someone who fits that mold neatly, you know. On the whole, all people are good, or at least they’re normal. The frightening thing is that they can suddenly turn bad when it comes to the crunch. That’s why you have to be careful.
The modern artist is working with space and time and expressing his feelings rather than illustrating.
Too Clear, too clean. The problem was precision, perfection; the problem was "digitization" which sucked the life out of everything that got smeared through its microscopic mesh. Film, photography, music: dead. "An aesthetic holocaust!
It's ugly, but is it art?
Do you want to know why I don't like the so-called connoisseurs of arts? I hate hypocrisy. I'll give you an example: if the movie is colored and tells us about two friends who sit in the pool, fart into the water, get out of the pool and fart into each other's face it will be thrash, a lack of a culture and a third-rate comedy. But if the movie is black-and-white and tells us about two friends who cross the desert and peeing on each other, shit on the sand, and then they eat each other's shit, and on top of that they fucking each other's ass it will be a brilliant art house movie.
Devise some creed, and live it, beyond theirs,Or I shall think you but their spendthrift heirs.
Yes, I do believe in something. I believe in being warm-hearted. Ibelieve especially in being warm-hearted in love, in fucking with awarm heart. I believe if men could fuck with warm hearts, and the womentake it warm-heartedly, everything would come all right. It's all thiscold-hearted fucking that is death and idiocy.
The earlier, the more fun. Why put it off? It’s the atomic age!
Unfortunately, you are far more likely to be harmed or die prematurely as a direct result of modern society than you are from any form of terrorism.
I realize then that the disappearance of a culture does not signify the disappearance of human value, but simply of certain means of expressing this value, yet the fact remains that I have no sympathy for the current European civilization and do not understand its goals, if it has any. So I am really writing for friends who are scattered throughout the corners of the globe.
I should have learned many things from that experience, but when I look back on it, all I gained was one single, undeniable fact. That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could become completely self-centered, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal.College transported me to a new town, where I tried, one more time, to reinvent myself. Becoming someone new, I could correct the errors of my past. At first I was optimistic: I could pull it off. But in the end, no matter where I went, I could never change. Over and over I made the same mistake, hurt other people, and hurt myself in the bargain.Just after I turned twenty, this thought hit me: Maybe I've lost the chance to ever be a decent human being. The mistakes I'd committed—maybe they were part of my very makeup, an inescapable part of my being. I'd hit rock bottom, and I knew it.
I should have learned many things from that experience, but when I look back on it, all I gained was one single, undeniable fact. That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could become completely self-centered, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal.
Everyone wavers between the emotionally still-alive past ad the already dead future.Gilles Ivain (aka Ivan Chtcheglov)
A stubborn refusal of the conditions of 20th Century 'reality', surrealism has denied intransigently and consistently that modern man can live without a sense of wonder at the world that was once embodied in myth. In approaching literature, it has aimed at restoring to the word its magical qualities. And at giving back to language the elemental power it once had within society. This determinism lies at the heart of the surrealist attitude and distinguishes it radically from the modernism which took shape contemporaneously with it.
This is what made the difference, they used social networking for entertainment and I used it for business.
In one sense, (Duchamp's) “The Large Glass” is a glimpse into Hell; a peculiarly modernist Hell of repetition and loneliness.
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