Inspirational quotes by Dave Eggers.
I will not wait to love as best as I can. We thought we were young and that there would be time to love well sometime in the future. This is a terrible way to think. It is no way to live, to wait to love.
But everyone disappears, no matter who loves them.
We are unusual and tragic and alive.
If you don't want anyone to know about your existence, you might as well kill yourself. You're taking up space, air.
There’s less need to slowly acclimate these guys to the tank,” Bailey said. “They’ll be food pretty soon, so their happiness is less important than the shark’s.
When my parents passed on, and we read their wills, we discovered something we didn’t at all expect, especially from our devoutly Catholic mother: they had both left instructions that their bodies be donated to science. We were bewildered and we were pissed. They wanted their cadavers to be used by medical students, they wanted their flesh to be cut into and their cancerous organs examined. We were breathless. They wanted no elaborate funerals, no expense incurred for such stuff – they hated wasting money or time on ceremony, on appearances. When they died there was little left – the house, the cars. And their bodies, and they gave those away. To offer them to strangers was disgusting, wrong, embarrassing. And selfish to us, their children, who would have to live with the thought of their cold weight sinking on silver tables, surrounded by students chewing gum and making jokes about the location of freckles. But then again: Nothing can be preserved. It’s all on the way out, from the second it appears, and whatever you have always has one eye on the exit, and so screw it. As hideous and uncouth as it is, we have to give it all away, our bodies, our secrets, our money, everything we know: All must be given away, given away every day, because to be human means: 1. To be good 2. To save nothing
Not that there seems to be any appropriate place to bury someone, but these municipal cemeteries, or any cemetery at all for that matter, like the ones by the highway, or the ones in the middle of town, with all these bodies with their corresponding rocks - oh it's just too primitive and vulgar, isn't it? The hole, and the box, and the rock on the grass? And we glamorize this process, feel it fitting and dramatic, austerely beautiful, standing there by the hole as we lower the box. It's incredible. Barbaric and base.
He must trust, and he must have faith. And so he builds, because what is building, and rebuilding and rebuilding again, but an act of faith?
You have what I can afford to give. You are a panhandler, begging for anything, and I am the man walking briskly by, tossing a quarter or so into your paper cup. I can afford to give you this. This does not break me.
I had forgotten that, and so many things. How could I put everything down on paper? It seemed impossible. No matter what, the majority of life would be left out of this story, this sliver of a version of the life I'd known. But I tried anyway.
You better [start writing] now because you know how to write, and you have fingers, and you have this one life, and during this one life, you should put your words down, and make your voice heard, and then let others hear your voice. And the only way any of that’s going to happen is if you actually do it. People can’t read the thoughts in your head. They can only read the thoughts you put down, carefully and with great love, on the page.So you have to do it, goddamnit.
How had this happened? Everyone in the world knew more than us, about everything, and this I hated then found hugely comforting.
Everyone in the life before was cranky, I think, because they just wanted to know.--After I Was Thrown in the River and Before I Drowned
Books have a unique way of stopping time in a particular moment and saying: Let’s not forget this.
I hung up the phone, jubilant, and threw myself into a wall, then pretended to be getting electrocuted. I do this when I'm very happy.
He was warm, partly because he had on many layers, and partly because boys whoa re part wolf and part wind do not get cold.
Then he got more books. He saved all the books.
All we really want is for no one to have a boring life, to be impressive, so we can be impressed. ~ on the friends we choose.
Maybe he hadn't thought the war through. It had seemed like simple fun when he had first pictured it, with a glorious beginning, a difficult but valor-filled middle, and a victorious end. He hadn't accounted for the fact that there might not be much of a resolution to the battle, and he hadn't imagined what it would feel like when the war just sort of ended, without anyone admitting defeat and congratulating him for his bravery.
This morning there s first a predictable story about Darfur; an expert on African affairs notes that seven thousand African Union troops patrolling a region the size of France have been ineffectual in preventing continued janjaweed terror. Funding for the troops is about to run out, and it seems that no one, including the United States, is ready to put forth more money or come up with new ideas to stop the killing and displacement. This is not surprising to those of us who lived through twenty years of oppression by the hands of Khartoum and its militias.
Max had to think about these new developments. He hadn't liked getting hit by a rock--his stomach still ached from then rock Judith had thrown--but then again, when his team had used rocks on Alexander, it had caused him to surrender. Now the Bad Guys only had three soldiers left, which would make victory for Max's team more likely. So now it made perfect sense. He was wrong to ban rocks, or even animals. The key was to use all the weapons at one's disposal, but to just make sure you won when you used them.
This war has made racists of too many of the and too many of us, and it is the leadership in Khartoum that has stoked this fire, that has brought to the surface, and in some cases created from whole cloth, new hatreds that have bred unprecedented acts of brutality.
Your memory has always been given to opportunistic revision.
The world, every day, is New. Only for those born in, say, 1870 or so, can there be a meaningful use of the term postmodernism, because for the rest of us we are born and we see and from what we see and digest we remake our world. And to understand it we do not need to label it, categorize it. These labels are slothful and dismissive, and so contradict what we already know about the world, and our daily lives. We know that in each day, we laugh, and we are serious. We do both, in the same day, every day. But in our art we expect clear distinction between the two...But we don't label our days Serious Days or Humorous Days. We know that each day contains endless nuances - if written would contain dozens of disparate passages, funny ones, sad ones, poignant ones, brutal ones, the terrifying and the cuddly. But we are often loathe to allow this in our art. And that is too bad...
My mind, I know, I can prove, hovers on hummingbird wings. It hovers and it churns. And when it's operating at full thrust, the churning does not stop. The machines do not rest, the systems rarely cool. And while I can forget anything of any importance--this is why people tell me secrets--my mind has an uncanny knack for organization when it comes to pain. Nothing tormenting is ever lost, never even diminished in color or intensity or quality of sound.
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