I love to move like a mouse inside this puzzle for the body, balancing the wish to be lost with the need to be found.
No one here likes a wet dog.
Is there a better method of departure by night than this quiet bon voyage with an open book, the sole companion who has come to see you off, to wave you into the dark waters beyond language?
though they know in their adult hearts,even as they threaten to banish Timmy to bedfor his appalling behavior,that their bosses are Big Fatty Stupids,their wives are Dopey Dopeheadsand that they themselves are Mr. Sillypants.
This is what I think aboutwhen I shovel compostinto a wheelbarrow,and when I fill the long flower boxes,then press into rowsthe limp roots of red impatiens—the instant hand of Deathalways ready to burst forthfrom the sleeve of his voluminous cloak.Then the soil is full of marvels,bits of leaf like flakes off a fresco,red-brown pine needles, a beetle quickto burrow back under the loam.Then the wheelbarrow is a wilder blue,the clouds a brighter white,and all I hear is the rasp of the steel edgeagainst a round stone,the small plants singingwith lifted faces, and the clickof the sundialas one hour sweeps into the next.
I can hear the library humming in the night, a choir of authors murmuring inside their books along the unlit, alphabetical shelves, Giovanni Pontano next to Pope, Dumas next to his son, each one stitched into his own private coat, together forming a low, gigantic chord of language.
The fly lands on the swatter.The movie runs backwardsand catches fire in the projector.This species apes us wellby talking only about itself
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