Are there any capitalist cats?" Nakata asked
I’m not totally mad at you. I’m just sad. You’re all locked up in that little world of yours, and when I try knocking on the door, you just sort of look up for a second and go right back inside.
If I sound as if I'm always predicting ominous things, it's because I'm a pragmatist. I use deductive reasoning to generalize, and I suppose this sometimes ends up sounding like unlucky prophecies. You know why? Because reality's just the accumulation of ominous prophecies come to life. You have to only open a newspaper on any given day and weigh the good news versus the bad, and you'll see what I mean.
In any case, suffice it to say I enjoyed hearing about faraway places. I had stocked up a whole store of these places, like a bear getting ready for hibernation. I’d close my eyes, and streets would materialize, rows of houses take shape. I could hear people’s voices, feel the gentle, steady rhythm of their lives, those people so distant, whom I’d probably never know.
If you can love someone with your whole heart, even one person, then there’s salvation in life. Even if you can’t get together with that person.
Girls who are on top of things must have three hundred ways of responding to tired thirty-five-year-old divorced men.
The sense of tragedy - according to Aristotle - comes, ironically enough, not from the protagonist's weak points but from his good qualities. Do you know what I'm getting at? People are drawn deeper into tragedy not by their defects but by their virtues. Sophocles’ Oedipus Rex being a great example. Oedipus is drawn into tragedy not because of laziness or stupidity, but because of his courage and honesty. So an inevitable irony results....[But] we accept irony through a device called metaphor. And through that we grow and become deeper human beings.
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