You think horror enters spectacularly. It doesn't. It just prosaically turns up. Even in the first seconds you know you'll find it a room.
The first horror is there's horror. The second is you accommodate it.
Humans are moving into a new phase, one based on the knowledge that talking about their feelings has never got them anywhere.
The lies you tell yourself. The necessary lies.
It wasn't love at first sight. They ran into each other one morning in a sunny clearing in the forest. A few moments of stunned silence. `Glockenspiel,' Adam pronounced, thinking (but with terrible doubt) he'd found another animal in search of a name. When Eve approached him, proffering a handful of elderberries, he threw a stick at her and ran away.
By all means, become an abomination--but only while unhinged by grief or wrath.
All motivation derives from the primary fact of mortality. Take mortality away and motivation loses its...motivation.
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